الفصل الفصل 57 · THE BEAUTIFUL CREATURE CLAD IN WHITE. (Dante.)

. THE BEAUTIFUL CREATURE CLAD IN WHITE. (Dante.)

When Quasimodo saw that the cell was empty, that the gypsy was no

longer there, that while he had been defending her she had been

abducted, he grasped his hair with both hands and stamped with

surprise and pain; then he set out to run through the entire

church seeking his Bohemian, howling strange cries to all the

corners of the walls, strewing his red hair on the pavement. It

was just at the moment when the king’s archers were making their

victorious entrance into Notre-Dame, also in search of the gypsy.

Quasimodo, poor, deaf fellow, aided them in their fatal

intentions, without suspecting it; he thought that the outcasts

were the gypsy’s enemies. He himself conducted Tristan l’Hermite

to all possible hiding-places, opened to him the secret doors,

the double bottoms of the altars, the rear sacristries. If the

unfortunate girl had still been there, it would have been he

himself who would have delivered her up.

When the fatigue of finding nothing had disheartened Tristan, who

was not easily discouraged, Quasimodo continued the search alone.

He made the tour of the church twenty times, length and breadth,

up and down, ascending and descending, running, calling,

shouting, peeping, rummaging, ransacking, thrusting his head into

every hole, pushing a torch under every vault, despairing, mad. A

male who has lost his female is no more roaring nor more haggard.

At last when he was sure, perfectly sure that she was no longer

there, that all was at an end, that she had been snatched from

him, he slowly mounted the staircase to the towers, that

staircase which he had ascended with so much eagerness and

triumph on the day when he had saved her. He passed those same

places once more with drooping head, voiceless, tearless, almost

breathless. The church was again deserted, and had fallen back

into its silence. The archers had quitted it to track the

sorceress in the city. Quasimodo, left alone in that vast

Notre-Dame, so besieged and tumultuous but a short time before,

once more betook himself to the cell where the gypsy had slept

for so many weeks under his guardianship.

As he approached it, he fancied that he might, perhaps, find her

there. When, at the turn of the gallery which opens on the roof

of the side aisles, he perceived the tiny cell with its little

window and its little door crouching beneath a great flying

buttress like a bird’s nest under a branch, the poor man’s heart

failed him, and he leaned against a pillar to keep from falling.

He imagined that she might have returned thither, that some good

genius had, no doubt, brought her back, that this chamber was too

tranquil, too safe, too charming for her not to be there, and he

dared not take another step for fear of destroying his illusion.

“Yes,” he said to himself, “perchance she is sleeping, or

praying. I must not disturb her.”

At length he summoned up courage, advanced on tiptoe, looked,

entered. Empty. The cell was still empty. The unhappy deaf man

walked slowly round it, lifted the bed and looked beneath it, as

though she might be concealed between the pavement and the

mattress, then he shook his head and remained stupefied. All at

once, he crushed his torch under his foot, and, without uttering

a word, without giving vent to a sigh, he flung himself at full

speed, head foremost against the wall, and fell fainting on the

floor.

When he recovered his senses, he threw himself on the bed and

rolling about, he kissed frantically the place where the young

girl had slept and which was still warm; he remained there for

several moments as motionless as though he were about to expire;

then he rose, dripping with perspiration, panting, mad, and began

to beat his head against the wall with the frightful regularity

of the clapper of his bells, and the resolution of a man

determined to kill himself. At length he fell a second time,

exhausted; he dragged himself on his knees outside the cell, and

crouched down facing the door, in an attitude of astonishment.

He remained thus for more than an hour without making a movement,

with his eye fixed on the deserted cell, more gloomy, and more

pensive than a mother seated between an empty cradle and a full

coffin. He uttered not a word; only at long intervals, a sob

heaved his body violently, but it was a tearless sob, like summer

lightning which makes no noise.

It appears to have been then, that, seeking at the bottom of his

lonely thoughts for the unexpected abductor of the gypsy, he

thought of the archdeacon. He remembered that Dom Claude alone

possessed a key to the staircase leading to the cell; he recalled

his nocturnal attempts on the young girl, in the first of which

he, Quasimodo, had assisted, the second of which he had

prevented. He recalled a thousand details, and soon he no longer

doubted that the archdeacon had taken the gypsy. Nevertheless,

such was his respect for the priest, such his gratitude, his

devotion, his love for this man had taken such deep root in his

heart, that they resisted, even at this moment, the talons of

jealousy and despair.

He reflected that the archdeacon had done this thing, and the

wrath of blood and death which it would have evoked in him

against any other person, turned in the poor deaf man, from the

moment when Claude Frollo was in question, into an increase of

grief and sorrow.

At the moment when his thought was thus fixed upon the priest,

while the daybreak was whitening the flying buttresses, he

perceived on the highest story of Notre-Dame, at the angle formed

by the external balustrade as it makes the turn of the chancel, a

figure walking. This figure was coming towards him. He recognized

it. It was the archdeacon.

Claude was walking with a slow, grave step. He did not look

before him as he walked, he was directing his course towards the

northern tower, but his face was turned aside towards the right

bank of the Seine, and he held his head high, as though trying to

see something over the roofs. The owl often assumes this oblique

attitude. It flies towards one point and looks towards another.

In this manner the priest passed above Quasimodo without seeing

him.

The deaf man, who had been petrified by this sudden apparition,

beheld him disappear through the door of the staircase to the

north tower. The reader is aware that this is the tower from

which the Hôtel-de-Ville is visible. Quasimodo rose and followed

the archdeacon.

Quasimodo ascended the tower staircase for the sake of ascending

it, for the sake of seeing why the priest was ascending it.

Moreover, the poor bellringer did not know what he (Quasimodo)

should do, what he should say, what he wished. He was full of

fury and full of fear. The archdeacon and the gypsy had come into

conflict in his heart.

When he reached the summit of the tower, before emerging from the

shadow of the staircase and stepping upon the platform, he

cautiously examined the position of the priest. The priest’s back

was turned to him. There is an openwork balustrade which

surrounds the platform of the bell tower. The priest, whose eyes

looked down upon the town, was resting his breast on that one of

the four sides of the balustrades which looks upon the Pont

Notre-Dame.

Quasimodo, advancing with the tread of a wolf behind him, went to

see what he was gazing at thus.

The priest’s attention was so absorbed elsewhere that he did not

hear the deaf man walking behind him.

Paris is a magnificent and charming spectacle, and especially at

that day, viewed from the top of the towers of Notre-Dame, in the

fresh light of a summer dawn. The day might have been in July.

The sky was perfectly serene. Some tardy stars were fading away

at various points, and there was a very brilliant one in the

east, in the brightest part of the heavens. The sun was about to

appear; Paris was beginning to move. A very white and very pure

light brought out vividly to the eye all the outlines that its

thousands of houses present to the east. The giant shadow of the

towers leaped from roof to roof, from one end of the great city

to the other. There were several quarters from which were already

heard voices and noisy sounds. Here the stroke of a bell, there

the stroke of a hammer, beyond, the complicated clatter of a cart

in motion.

Already several columns of smoke were being belched forth from

the chimneys scattered over the whole surface of roofs, as

through the fissures of an immense sulphurous crater. The river,

which ruffles its waters against the arches of so many bridges,

against the points of so many islands, was wavering with silvery

folds. Around the city, outside the ramparts, sight was lost in a

great circle of fleecy vapors through which one confusedly

distinguished the indefinite line of the plains, and the graceful

swell of the heights. All sorts of floating sounds were dispersed

over this half-awakened city. Towards the east, the morning

breeze chased a few soft white bits of wool torn from the misty

fleece of the hills.

In the Parvis, some good women, who had their milk jugs in their

hands, were pointing out to each other, with astonishment, the

singular dilapidation of the great door of Notre-Dame, and the

two solidified streams of lead in the crevices of the stone. This

was all that remained of the tempest of the night. The bonfire

lighted between the towers by Quasimodo had died out. Tristan had

already cleared up the Place, and had the dead thrown into the

Seine. Kings like Louis XI. are careful to clean the pavement

quickly after a massacre.

Outside the balustrade of the tower, directly under the point

where the priest had paused, there was one of those fantastically

carved stone gutters with which Gothic edifices bristle, and, in

a crevice of that gutter, two pretty wallflowers in blossom,

shaken out and vivified, as it were, by the breath of air, made

frolicsome salutations to each other. Above the towers, on high,

far away in the depths of the sky, the cries of little birds were

heard.

But the priest was not listening to, was not looking at, anything

of all this. He was one of the men for whom there are no

mornings, no birds, no flowers. In that immense horizon, which

assumed so many aspects about him, his contemplation was

concentrated on a single point.

Quasimodo was burning to ask him what he had done with the gypsy;

but the archdeacon seemed to be out of the world at that moment.

He was evidently in one of those violent moments of life when one

would not feel the earth crumble. He remained motionless and

silent, with his eyes steadily fixed on a certain point; and

there was something so terrible about this silence and immobility

that the savage bellringer shuddered before it and dared not come

in contact with it. Only, and this was also one way of

interrogating the archdeacon, he followed the direction of his

vision, and in this way the glance of the unhappy deaf man fell

upon the Place de Grève.

Thus he saw what the priest was looking at. The ladder was

erected near the permanent gallows. There were some people and

many soldiers in the Place. A man was dragging a white thing,

from which hung something black, along the pavement. This man

halted at the foot of the gallows.

Here something took place which Quasimodo could not see very

clearly. It was not because his only eye had not preserved its

long range, but there was a group of soldiers which prevented his

seeing everything. Moreover, at that moment the sun appeared, and

such a flood of light overflowed the horizon that one would have

said that all the points in Paris, spires, chimneys, gables, had

simultaneously taken fire.

Meanwhile, the man began to mount the ladder. Then Quasimodo saw

him again distinctly. He was carrying a woman on his shoulder, a

young girl dressed in white; that young girl had a noose about

her neck. Quasimodo recognized her.

It was she.

The man reached the top of the ladder. There he arranged the

noose. Here the priest, in order to see the better, knelt upon

the balustrade.

All at once the man kicked away the ladder abruptly, and

Quasimodo, who had not breathed for several moments, beheld the

unhappy child dangling at the end of the rope two fathoms above

the pavement, with the man squatting on her shoulders. The rope

made several gyrations on itself, and Quasimodo beheld horrible

convulsions run along the gypsy’s body. The priest, on his side,

with outstretched neck and eyes starting from his head,

contemplated this horrible group of the man and the young

girl,—the spider and the fly.

At the moment when it was most horrible, the laugh of a demon, a

laugh which one can only give vent to when one is no longer

human, burst forth on the priest’s livid face.

Quasimodo did not hear that laugh, but he saw it.

The bellringer retreated several paces behind the archdeacon, and

suddenly hurling himself upon him with fury, with his huge hands

he pushed him by the back over into the abyss over which Dom

Claude was leaning.

The priest shrieked: “Damnation!” and fell.

The spout, above which he had stood, arrested him in his fall. He

clung to it with desperate hands, and, at the moment when he

opened his mouth to utter a second cry, he beheld the formidable

and avenging face of Quasimodo thrust over the edge of the

balustrade above his head.

Then he was silent.

The abyss was there below him. A fall of more than two hundred

feet and the pavement.

In this terrible situation, the archdeacon said not a word,

uttered not a groan. He merely writhed upon the spout, with

incredible efforts to climb up again; but his hands had no hold

on the granite, his feet slid along the blackened wall without

catching fast. People who have ascended the towers of Notre-Dame

know that there is a swell of the stone immediately beneath the

balustrade. It was on this retreating angle that miserable

archdeacon exhausted himself. He had not to deal with a

perpendicular wall, but with one which sloped away beneath him.

Quasimodo had but to stretch out his hand in order to draw him

from the gulf; but he did not even look at him. He was looking at

the Grève. He was looking at the gallows. He was looking at the

gypsy.

The deaf man was leaning, with his elbows on the balustrade, at

the spot where the archdeacon had been a moment before, and

there, never detaching his gaze from the only object which

existed for him in the world at that moment, he remained

motionless and mute, like a man struck by lightning, and a long

stream of tears flowed in silence from that eye which, up to that

time, had never shed but one tear.

Meanwhile, the archdeacon was panting. His bald brow was dripping

with perspiration, his nails were bleeding against the stones,

his knees were flayed by the wall.

He heard his cassock, which was caught on the spout, crack and

rip at every jerk that he gave it. To complete his misfortune,

this spout ended in a leaden pipe which bent under the weight of

his body. The archdeacon felt this pipe slowly giving way. The

miserable man said to himself that, when his hands should be worn

out with fatigue, when his cassock should tear asunder, when the

lead should give way, he would be obliged to fall, and terror

seized upon his very vitals. Now and then he glanced wildly at a

sort of narrow shelf formed, ten feet lower down, by projections

of the sculpture, and he prayed heaven, from the depths of his

distressed soul, that he might be allowed to finish his life,

were it to last two centuries, on that space two feet square.

Once, he glanced below him into the Place, into the abyss; the

head which he raised again had its eyes closed and its hair

standing erect.

There was something frightful in the silence of these two men.

While the archdeacon agonized in this terrible fashion a few feet

below him, Quasimodo wept and gazed at the Grève.

The archdeacon, seeing that all his exertions served only to

weaken the fragile support which remained to him, decided to

remain quiet. There he hung, embracing the gutter, hardly

breathing, no longer stirring, making no longer any other

movements than that mechanical convulsion of the stomach, which

one experiences in dreams when one fancies himself falling. His

fixed eyes were wide open with a stare. He lost ground little by

little, nevertheless, his fingers slipped along the spout; he

became more and more conscious of the feebleness of his arms and

the weight of his body. The curve of the lead which sustained him

inclined more and more each instant towards the abyss.

He beheld below him, a frightful thing, the roof of Saint-Jean le

Rond, as small as a card folded in two. He gazed at the

impressive carvings, one by one, of the tower, suspended like

himself over the precipice, but without terror for themselves or

pity for him. All was stone around him; before his eyes, gaping

monsters; below, quite at the bottom, in the Place, the pavement;

above his head, Quasimodo weeping.

In the Parvis there were several groups of curious good people,

who were tranquilly seeking to divine who the madman could be who

was amusing himself in so strange a manner. The priest heard them

saying, for their voices reached him, clear and shrill: “Why, he

will break his neck!”

Quasimodo wept.

At last the archdeacon, foaming with rage and despair, understood

that all was in vain. Nevertheless, he collected all the strength

which remained to him for a final effort. He stiffened himself

upon the spout, pushed against the wall with both his knees,

clung to a crevice in the stones with his hands, and succeeded in

climbing back with one foot, perhaps; but this effort made the

leaden beak on which he rested bend abruptly. His cassock burst

open at the same time. Then, feeling everything give way beneath

him, with nothing but his stiffened and failing hands to support

him, the unfortunate man closed his eyes and let go of the spout.

He fell.

Quasimodo watched him fall.

A fall from such a height is seldom perpendicular. The

archdeacon, launched into space, fell at first head foremost,

with outspread hands; then he whirled over and over many times;

the wind blew him upon the roof of a house, where the unfortunate

man began to break up. Nevertheless, he was not dead when he

reached there. The bellringer saw him still endeavor to cling to

a gable with his nails; but the surface sloped too much, and he

had no more strength. He slid rapidly along the roof like a

loosened tile, and dashed upon the pavement. There he no longer

moved.

Then Quasimodo raised his eyes to the gypsy, whose body he beheld

hanging from the gibbet, quivering far away beneath her white

robe with the last shudderings of anguish, then he dropped them

on the archdeacon, stretched out at the base of the tower, and no

longer retaining the human form, and he said, with a sob which

heaved his deep chest,—“Oh! all that I have ever loved!”