الفصل الفصل 6 · Chapter VI
M. Lecoq was the first to reach the staircase, and the spots of blood at
once caught his eye.
"Oh," cried he, at each spot he saw, "oh, oh, the wretches!"
M. Courtois was much moved to find so much sensibility in a detective.
The latter, as he continued to ascend, went on:
"The wretches! They don't often leave traces like this everywhere--or at
least they wipe them out."
On gaining the first landing, and the door of the boudoir which led into
the chamber, he stopped, eagerly scanning, before he entered, the
position of the rooms.
Then he entered the boudoir, saying:
"Come; I don't see my way clear yet."
"But it seems to me," remarked the judge, "that we have already
important materials to aid your task. It is clear that Guespin, if he is
not an accomplice, at least knew something about the crime."
M. Lecoq had recourse to the portrait in the lozenge-box. It was more
than a glance, it was a confidence. He evidently said something to the
dear defunct, which he dared not say aloud.
"I see that Guespin is seriously compromised," resumed he. "Why didn't
he want to tell where he passed the night? But, then, public opinion is
against him, and I naturally distrust that."
The detective stood alone in the middle of the room, the rest, at his
request, remained at the threshold, and looking keenly about him,
searched for some explanation of the frightful disorder of the
apartment.
"Fools!" cried he, in an irritated tone, "double brutes! Because they
murder people so as to rob them, is no reason why they should break
everything in the house. Sharp folks don't smash up furniture; they
carry pretty picklocks, which work well and make no noise. Idiots! one
would say--"
He stopped with his mouth wide open.
"Eh! Not so bungling, after all, perhaps."
The witnesses of this scene remained motionless at the door, following,
with an interest mingled with surprise, the detective's movements.
Kneeling down, he passed his flat palm over the thick carpet, among the
broken porcelain.
"It's damp; very damp. The tea was not all drunk, it seems, when the
cups were broken."
"Some tea might have remained in the teapot," suggested Plantat.
"I know it," answered M. Lecoq, "just what I was going to say. So that
this dampness cannot tell us the exact moment when the crime was
committed."
"But the clock does, and very exactly," interrupted the mayor.
"The mayor," said M. Domini, "in his notes, well explains that the
movements of the clock stopped when it fell."
"But see here," said M. Plantat, "it was the odd hour marked by that
clock that struck me. The hands point to twenty minutes past three; yet
we know that the countess was fully dressed, when she was struck. Was
she up taking tea at three in the morning? It's hardly probable."
"I, too, was struck with that circumstance," returned M. Lecoq, "and
that's why I said, 'not so stupid!' Well, let's see."
He lifted the clock with great care, and replaced it on the mantel,
being cautious to set it exactly upright. The hands continued to point
to twenty minutes past three.
"Twenty past three!" muttered he, while slipping a little wedge under
the stand. "People don't take tea at that hour. Still less common is it
that people are murdered at daylight."
He opened the clock-case with some difficulty, and pushed the longer
hand to the figure of half-past three.
The clock struck eleven!
"Good," cried M. Lecoq, triumphantly. "That is the truth!" and drawing
the lozenge-box from his pocket, he excitedly crushed a lozenge between
his teeth.
The simplicity of this discovery surprised the spectators; the idea of
trying the clock in this way had occurred to no one. M. Courtois,
especially, was bewildered.
"There's a fellow," whispered he to the doctor, "who knows what he's
about."
"Ergo," resumed M. Lecoq (who knew Latin), "we have here, not brutes, as
I thought at first, but rascals who looked beyond the end of their
knife. They intended to put us off the scent, by deceiving us as to the
hour."
"I don't see their object very clearly," said M. Courtois, timidly.
"Yet it is easy to see it," answered M. Domini. "Was it not for their
interest to make it appear that the crime was committed after the last
train for Paris had left? Guespin, leaving his companions at the Lyons
station at nine, might have reached here at ten, murdered the count and
countess, seized the money which he knew to be in the count's
possession, and returned to Paris by the last train."
"These conjectures are very shrewd," interposed M. Plantat; "but how is
it that Guespin did not rejoin his comrades in the Batignolles? For in
that way, to a certain degree, he might have provided a kind of alibi."
Dr. Gendron had been sitting on the only unbroken chair in the chamber,
reflecting on Plantat's sudden embarrassment, when he had spoken of
Robelot the bone-setter. The remarks of the judge drew him from his
revery; he got up, and said:
"There is another point; putting forward the time was perhaps useful to
Guespin, but it would greatly damage Bertaud, his accomplice."
"But," answered M. Domini, "it might be that Bertaud was not consulted.
As to Guespin, he had no doubt good reasons for not returning to the
wedding. His restlessness, after such a deed, would possibly have
betrayed him."
M. Lecoq had not thought fit to speak as yet. Like a doctor at a sick
bedside, he wanted to be sure of his diagnosis. He had returned to the
mantel, and again pushed forward the hands of the clock. It sounded,
successively, half-past eleven, then twelve, then half-past twelve, then
one.
As he moved the hands, he kept muttering:
"Apprentices--chance brigands! You are malicious, parbleu, but you don't
think of everything. You give a push to the hands, but don't remember to
put the striking in harmony with them. Then comes along a detective, an
old rat who knows things, and the dodge is discovered."
M. Domini and Plantat held their tongues. M. Lecoq walked up to them.
"Monsieur the Judge," said he, "is perhaps now convinced that the deed
was done at half-past ten."
"Unless," interrupted M. Plantat, "the machinery of the clock has been
out of order."
"That often happens," added M. Courtois. "The clock in my drawing-room
is in such a state that I never know the time of day."
M. Lecoq reflected.
"It is possible," said he, "that Monsieur Plantat is right. The
probability is in favor of my theory; but probability, in such an
affair, is not sufficient; we must have certainty. There happily remains
a mode of testing the matter--the bed; I'll wager it is rumpled up."
Then addressing the mayor, "I shall need a servant to lend me a hand."
"I'll help you," said Plantat, "that will be a quicker way."
They lifted the top of the bed and set it on the floor, at the same time
raising the curtains.
"Hum!" cried M. Lecoq, "was I right?"
"True," said M. Domini, surprised, "the bed is rumpled."
"Yes; and yet no one has lain in it."
"But--" objected M. Courtois.
"I am sure of what I say," interrupted the detective. "The sheets, it is
true, have been thrown back, perhaps someone has rolled about in the
bed; the pillows have been tumbled, the quilts and curtains ruffled, but
this bed has not the appearance of having been slept in. It is, perhaps,
more difficult to rumple up a bed than to put it in order again. To make
it up, the coverings must be taken off, and the mattresses turned. To
disarrange it, one must actually lie down in it, and warm it with the
body. A bed is one of those terrible witnesses which never misguide, and
against which no counter testimony can be given. Nobody has gone to bed
in this--"
"The countess," remarked Plantat, "was dressed; but the count might have
gone to bed first."
"No," answered M. Lecoq, "I'll prove to the contrary. The proof is easy,
indeed, and a child of ten, having heard it, wouldn't think of being
deceived by this intentional disorder of the bedclothes."
M. Lecoq's auditors drew up to him. He put the coverings back upon the
middle of the bed, and went on:
"Both of the pillows are much rumpled, are they not? But look under the
bolster--it is all smooth, and you find none of those wrinkles which are
made by the weight of the head and the moving about of the arms. That's
not all; look at the bed from the middle to the foot. The sheets being
laid carefully, the upper and under lie close together everywhere. Slip
your hand underneath--there--you see there is a resistance to your hand
which would not occur if the legs had been stretched in that place. Now
Monsieur de Tremorel was tall enough to extend the full length of the
bed."
This demonstration was so clear, its proof so palpable, that it could
not be gainsaid.
"This is nothing," continued M. Lecoq. "Let us examine the second
mattress. When a person purposely disarranges a bed, he does not think
of the second mattress."
He lifted up the upper mattress, and observed that the covering of the
under one was perfectly even.
"H'm, the second mattress," muttered M. Lecoq, as if some memory crossed
his mind.
"It appears to be proved," observed the judge, "that Monsieur de
Tremorel had not gone to bed."
"Besides," added the doctor, "if he had been murdered in his bed, his
clothes would be lying here somewhere."
"Without considering," suggested M. Lecoq, "that some blood must have
been found on the sheets. Decidedly, these criminals were not shrewd."
"What seems to me surprising," M. Plantat observed to the judge, "is
that anybody would succeed in killing, except in his sleep, a young man
so vigorous as Count Hector."
"And in a house full of weapons," added Dr. Gendron; "for the count's
cabinet is full of guns, swords and hunting knives; it's a perfect
arsenal."
"Alas!" sighed M. Courtois, "we know of worse catastrophes. There is not
a week that the papers don't--"
He stopped, chagrined, for nobody was listening to him. Plantat claimed
the general attention, and continued:
"The confusion in the house seems to you surprising; well now, I'm
surprised that it is not worse than it is. I am, so to speak, an old
man; I haven't the energy of a young man of thirty-five; yet it seems to
me that if assassins should get into my house, when I was there, and up,
it would go hard with them. I don't know what I would do; probably I
should be killed; but surely I would give the alarm. I would defend
myself, and cry out, and open the windows, and set the house afire."
"Let us add," insisted the doctor, "that it is not easy to surprise a
man who is awake. There is always an unexpected noise which puts one on
his guard. Perhaps it is a creaking door, or a cracking stair. However
cautious the murderer, he does not surprise his victim."
"They may have used fire-arms;" struck in the worthy mayor, "that has
been done. You are quietly sitting in your chamber; it is summer, and
your windows are open; you are chatting with your wife, and sipping a
cup of tea; outside, the assassins are supplied with a short ladder; one
ascends to a level with the window, sights you at his ease, presses the
trigger, the bullet speeds--"
"And," continued the doctor, "the whole neighborhood, aroused by it,
hastens to the spot."
"Permit me, pardon, permit me," said M. Courtois, testily, "that would
be so in a populous town. Here, in the midst of a vast park, no. Think,
doctor, of the isolation of this house. The nearest neighbor is a long
way off, and between there are many large trees, intercepting the sound.
Let us test it by experience. I will fire a pistol in this room, and
I'll wager that you will not hear the echo in the road."
"In the daytime, perhaps, but not in the night."
"Well," said M. Domini, who had been reflecting while M. Courtois was
talking, "if against all hope, Guespin does not decide to speak
to-night, or to-morrow, the count's body will afford us a key to the
mystery."
During this discussion, M. Lecoq had continued his investigations,
lifting the furniture, studying the fractures, examining the smallest
pieces, as if they might betray the truth. Now and then, he took out an
instrument-case, from which he produced a shank, which he introduced and
turned in the locks. He found several keys on the carpet, and on a rack,
a towel, which he carefully put one side, as if he deemed it important.
He came and went from the bedroom to the count's cabinet, without losing
a word that was said; noting in his memory, not so much the phrases
uttered, as the diverse accents and intonations with which they were
spoken. In an inquest such as that of the crime of Orcival, when several
officials find themselves face to face, they hold a certain reserve
toward each other. They know each other to have nearly equal experience,
to be shrewd, clear-headed, equally interested in discovering the truth,
not disposed to confide in appearances, difficult to surprise. Each one,
likely enough, gives a different interpretation to the facts revealed;
each may have a different theory of the deed; but a superficial observer
would not note these differences. Each, while dissimulating his real
thoughts, tries to penetrate those of his neighbor, and if they are
opposed to his own, to convert him to his opinion. The great importance
of a single word justifies this caution. Men who hold the liberty and
lives of others in their hands, a scratch of whose pen condemns to
death, are apt to feel heavily the burden of their responsibility. It is
an ineffable solace, to feel that this burden is shared by others. This
is, why no one dares take the initiative, or express himself openly; but
each awaits other opinions, to adopt or oppose them. They exchange fewer
affirmations than suggestions. They proceed by insinuation; then they
utter commonplaces, ridiculous suppositions, asides, provocative, as it
were, of other explanations.
In this instance, the judge of instruction and Plantat were far from
being of the same opinion; they knew it before speaking a word. But M.
Domini, whose opinion rested on material and palpable facts, which
appeared to him indisputable, was not disposed to provoke contradiction.
Plantat, on the contrary, whose system seemed to rest on impressions, on
a series of logical deductions, would not clearly express himself,
without a positive and pressing invitation. His last speech,
impressively uttered, had not been replied to; he judged that he had
advanced far enough to sound the detective.
"Well, Monsieur Lecoq," asked he, "have you found any new traces?"
M. Lecoq was at that moment curiously examining a large portrait of the
Count Hector, which hung opposite the bed. Hearing M. Plantat's
question, he turned.
"I have found nothing decisive," answered he, "and I have found nothing
to refute my conjectures. But--"
He did not finish; perhaps he too, recoiled before his share of the
responsibility.
"What?" insisted M. Domini, sternly.
"I was going to say," resumed M. Lecoq, "that I am not yet satisfied. I
have my lantern and a candle in it; I only need a match--"
"Please preserve your decorum," interrupted the judge severely.
"Very well, then," continued M. Lecoq, in a tone too humble to be
serious, "I still hesitate. If the doctor, now, would kindly proceed to
examine the countess's body, he would do me a great service."
"I was just going to ask the same favor, Doctor," said M. Domini.
The doctor answering, "Willingly," directed his steps toward the door.
M. Lecoq caught him by the arm.
"If you please," said he, in a tone totally unlike that he had used up
to this time, "I would like to call your attention to the wounds on the
head, made by a blunt instrument, which I suppose to be a hammer. I have
studied these wounds, and though I am no doctor, they seem to me
suspicious."
"And to me," M. Plantat quickly added. "It seemed to me, that in the
places struck, there was no emission of blood in the cutaneous vessels."
"The nature of these wounds," continued M. Lecoq, "will be a valuable
indication, which will fix my opinion." And, as he felt keenly the
brusque manner of the judge, he added:
"It is you, Doctor, who hold the match."
M. Gendron was about to leave the room, when Baptiste, the mayor's
servant--the man who wouldn't be scolded--appeared. He bowed and said:
"I have come for Monsieur the Mayor."
"For me? why?" asked M. Courtois. "What's the matter? They don't give me
a minute's rest! Answer that I am busy."
"It's on account of madame," resumed the placid Baptiste; "she isn't at
all well." The excellent mayor grew slightly pale.
"My wife!" cried he, alarmed. "What do you mean? Explain yourself."
"The postman arrived just now," returned Baptiste with a most tranquil
air, "and I carried the letters to madame, who was in the drawing-room.
Hardly had I turned on my heels when I heard a shriek, and the noise of
someone falling to the floor." Baptiste spoke slowly, taking artful
pains to prolong his master's anguish.
"Speak! go on!" cried the mayor, exasperated. "Speak, won't you?"
"I naturally opened the drawing-room door again. What did I see? madame,
at full length on the floor. I called for help; the chambermaid, cook,
and others came hastening up, and we carried madame to her bed. Justine
said that it was a letter from Mademoiselle Laurence which overcame my
mistress--"
At each word Baptiste hesitated, reflected; his eyes, giving the lie to
his solemn face, betrayed the great satisfaction he felt in relating his
master's misfortunes.
His master was full of consternation. As it is with all of us, when we
know not exactly what ill is about to befall us, he dared not ask any
questions. He stood still, crushed; lamenting, instead of hastening
home. M. Plantat profited by the pause to question the servant, with a
look which Baptiste dared not disobey.
"What, a letter from Mademoiselle Laurence? Isn't she here, then?"
"No, sir: she went away a week ago, to pass a month with one of her
aunts."
"And how is madame?"
"Better, sir; only she cries piteously."
The unfortunate mayor had now somewhat recovered his presence of mind.
He seized Baptiste by the arm.
"Come along," cried he, "come along!"
They hastened off.
"Poor man!" said the judge of instruction. "Perhaps his daughter is
dead."
M. Plantat shook his head.
"If it were only that!" muttered he. He added, turning to M. Domini:
"Do you recall the allusions of Bertaud, monsieur?"