الفصل الفصل 2 · THE VANISHING PRINCE
. THE VANISHING PRINCE
This tale begins among a tangle of tales round a name that is at
once recent and legendary. The name is that of Michael O'Neill,
popularly called Prince Michael, partly because he claimed descent
from ancient Fenian princes, and partly because he was credited with
a plan to make himself prince president of Ireland, as the last
Napoleon did of France. He was undoubtedly a gentleman of honorable
pedigree and of many accomplishments, but two of his accomplishments
emerged from all the rest. He had a talent for appearing when he was
not wanted and a talent for disappearing when he was wanted,
especially when he was wanted by the police. It may be added that
his disappearances were more dangerous than his appearances. In the
latter he seldom went beyond the sensational--pasting up seditious
placards, tearing down official placards, making flamboyant
speeches, or unfurling forbidden flags. But in order to effect the
former he would sometimes fight for his freedom with startling
energy, from which men were sometimes lucky to escape with a broken
head instead of a broken neck. His most famous feats of escape,
however, were due to dexterity and not to violence. On a cloudless
summer morning he had come down a country road white with dust, and,
pausing outside a farmhouse, had told the farmer's daughter, with
elegant indifference, that the local police were in pursuit of him.
The girl's name was Bridget Royce, a somber and even sullen type of
beauty, and she looked at him darkly, as if in doubt, and said, "Do
you want me to hide you?" Upon which he only laughed, leaped lightly
over the stone wall, and strode toward the farm, merely throwing
over his shoulder the remark, "Thank you, I have generally been
quite capable of hiding myself." In which proceeding he acted with a
tragic ignorance of the nature of women; and there fell on his path
in that sunshine a shadow of doom.
While he disappeared through the farmhouse the girl remained for a
few moments looking up the road, and two perspiring policemen came
plowing up to the door where she stood. Though still angry, she was
still silent, and a quarter of an hour later the officers had
searched the house and were already inspecting the kitchen garden
and cornfield behind it. In the ugly reaction of her mood she might
have been tempted even to point out the fugitive, but for a small
difficulty that she had no more notion than the policemen had of
where he could possibly have gone. The kitchen garden was inclosed
by a very low wall, and the cornfield beyond lay aslant like a
square patch on a great green hill on which he could still have been
seen even as a dot in the distance. Everything stood solid in its
familiar place; the apple tree was too small to support or hide a
climber; the only shed stood open and obviously empty; there was no
sound save the droning of summer flies and the occasional flutter of
a bird unfamiliar enough to be surprised by the scarecrow in the
field; there was scarcely a shadow save a few blue lines that fell
from the thin tree; every detail was picked out by the brilliant day
light as if in a microscope. The girl described the scene later,
with all the passionate realism of her race, and, whether or no the
policemen had a similar eye for the picturesque, they had at least
an eye for the facts of the case, and were compelled to give up the
chase and retire from the scene. Bridget Royce remained as if in a
trance, staring at the sunlit garden in which a man had just
vanished like a fairy. She was still in a sinister mood, and the
miracle took in her mind a character of unfriendliness and fear, as
if the fairy were decidedly a bad fairy. The sun upon the glittering
garden depressed her more than the darkness, but she continued to
stare at it. Then the world itself went half-witted and she
screamed. The scarecrow moved in the sun light. It had stood with
its back to her in a battered old black hat and a tattered garment,
and with all its tatters flying, it strode away across the hill.
She did not analyze the audacious trick by which the man had turned
to his advantage the subtle effects of the expected and the obvious;
she was still under the cloud of more individual complexities, and
she noticed most of all that the vanishing scarecrow did not even
turn to look at the farm. And the fates that were running so adverse
to his fantastic career of freedom ruled that his next adventure,
though it had the same success in another quarter, should increase
the danger in this quarter. Among the many similar adventures
related of him in this manner it is also said that some days
afterward another girl, named Mary Cregan, found him concealed on
the farm where she worked; and if the story is true, she must also
have had the shock of an uncanny experience, for when she was busy
at some lonely task in the yard she heard a voice speaking out of
the well, and found that the eccentric had managed to drop himself
into the bucket which was some little way below, the well only
partly full of water. In this case, however, he had to appeal to the
woman to wind up the rope. And men say it was when this news was
told to the other woman that her soul walked over the border line of
treason.
Such, at least, were the stories told of him in the countryside, and
there were many more--as that he had stood insolently in a splendid
green dressing gown on the steps of a great hotel, and then led the
police a chase through a long suite of grand apartments, and finally
through his own bedroom on to a balcony that overhung the river. The
moment the pursuers stepped on to the balcony it broke under them,
and they dropped pell-mell into the eddying waters, while Michael,
who had thrown off his gown and dived, was able to swim away. It was
said that he had carefully cut away the props so that they would not
support anything so heavy as a policeman. But here again he was
immediately fortunate, yet ultimately unfortunate, for it is said
that one of the men was drowned, leaving a family feud which made a
little rift in his popularity. These stories can now be told in some
detail, not because they are the most marvelous of his many
adventures, but because these alone were not covered with silence by
the loyalty of the peasantry. These alone found their way into
official reports, and it is these which three of the chief officials
of the country were reading and discussing when the more remarkable
part of this story begins.
Night was far advanced and the lights shone in the cottage that
served for a temporary police station near the coast. On one side of
it were the last houses of the straggling village, and on the other
nothing but a waste moorland stretching away toward the sea, the
line of which was broken by no landmark except a solitary tower of
the prehistoric pattern still found in Ireland, standing up as
slender as a column, but pointed like a pyramid. At a wooden table
in front of the window, which normally looked out on this landscape,
sat two men in plain clothes, but with something of a military
bearing, for indeed they were the two chiefs of the detective
service of that district. The senior of the two, both in age and
rank, was a sturdy man with a short white beard, and frosty eyebrows
fixed in a frown which suggested rather worry than severity.
His name was Morton, and he was a Liverpool man long pickled in the
Irish quarrels, and doing his duty among them in a sour fashion not
altogether unsympathetic. He had spoken a few sentences to his
companion, Nolan, a tall, dark man with a cadaverous equine Irish
face, when he seemed to remember something and touched a bell which
rang in another room. The subordinate he had summoned immediately
appeared with a sheaf of papers in his hand.
"Sit down, Wilson," he said. "Those are the depositions, I
suppose."
"Yes," replied the third officer. "I think I've got all there is to
be got out of them, so I sent the people away."
"Did Mary Cregan give evidence?" asked Morton, with a frown that
looked a little heavier than usual.
"No, but her master did," answered the man called Wilson, who had
flat, red hair and a plain, pale face, not without sharpness. "I
think he's hanging round the girl himself and is out against a
rival. There's always some reason of that sort when we are told the
truth about anything. And you bet the other girl told right enough."
"Well, let's hope they'll be some sort of use," remarked Nolan, in a
somewhat hopeless manner, gazing out into the darkness.
"Anything is to the good," said Morton, "that lets us know anything
about him."
"Do we know anything about him?" asked the melancholy Irishman.
"We know one thing about him," said Wilson, "and it's the one thing
that nobody ever knew before. We know where he is."
"Are you sure?" inquired Morton, looking at him sharply.
"Quite sure," replied his assistant. "At this very minute he is in
that tower over there by the shore. If you go near enough you'll see
the candle burning in the window."
As he spoke the noise of a horn sounded on the road outside, and a
moment after they heard the throbbing of a motor car brought to a
standstill before the door. Morton instantly sprang to his feet.
"Thank the Lord that's the car from Dublin," he said. "I can't do
anything without special authority, not if he were sitting on the
top of the tower and putting out his tongue at us. But the chief can
do what he thinks best."
He hurried out to the entrance and was soon exchanging greetings
with a big handsome man in a fur coat, who brought into the dingy
little station the indescribable glow of the great cities and the
luxuries of the great world.
For this was Sir Walter Carey, an official of such eminence in
Dublin Castle that nothing short of the case of Prince Michael would
have brought him on such a journey in the middle of the night. But
the case of Prince Michael, as it happened, was complicated by
legalism as well as lawlessness. On the last occasion he had escaped
by a forensic quibble and not, as usual, by a private escapade; and
it was a question whether at the moment he was amenable to the law
or not. It might be necessary to stretch a point, but a man like Sir
Walter could probably stretch it as far as he liked.
Whether he intended to do so was a question to be considered.
Despite the almost aggressive touch of luxury in the fur coat, it
soon became apparent that Sir Walter's large leonine head was for
use as well as ornament, and he considered the matter soberly and
sanely enough. Five chairs were set round the plain deal table, for
who should Sir Walter bring with him but his young relative and
secretary, Horne Fisher. Sir Walter listened with grave attention,
and his secretary with polite boredom, to the string of episodes by
which the police had traced the flying rebel from the steps of the
hotel to the solitary tower beside the sea. There at least he was
cornered between the moors and the breakers; and the scout sent by
Wilson reported him as writing under a solitary candle, perhaps
composing another of his tremendous proclamations. Indeed, it would
have been typical of him to choose it as the place in which finally
to turn to bay. He had some remote claim on it, as on a family
castle; and those who knew him thought him capable of imitating the
primitive Irish chieftains who fell fighting against the sea.
"I saw some queer-looking people leaving as I came in," said Sir
Walter Carey. "I suppose they were your witnesses. But why do they
turn up here at this time of night?"
Morton smiled grimly. "They come here by night because they would
be dead men if they came here by day. They are criminals committing
a crime that is more horrible here than theft or murder."
"What crime do you mean?" asked the other, with some curiosity.
"They are helping the law," said Morton.
There was a silence, and Sir Walter considered the papers before him
with an abstracted eye. At last he spoke.
"Quite so; but look here, if the local feeling is as lively as that
there are a good many points to consider. I believe the new Act will
enable me to collar him now if I think it best. But is it best? A
serious rising would do us no good in Parliament, and the government
has enemies in England as well as Ireland. It won't do if I have
done what looks a little like sharp practice, and then only raised a
revolution."
"It's all the other way," said the man called Wilson, rather
quickly. "There won't be half so much of a revolution if you arrest
him as there will if you leave him loose for three days longer. But,
anyhow, there can't be anything nowadays that the proper police
can't manage."
"Mr. Wilson is a Londoner," said the Irish detective, with a smile.
"Yes, I'm a cockney, all right," replied Wilson, "and I think I'm
all the better for that. Especially at this job, oddly enough."
Sir Walter seemed slightly amused at the pertinacity of the third
officer, and perhaps even more amused at the slight accent with
which he spoke, which rendered rather needless his boast about his
origin.
"Do you mean to say," he asked, "that you know more about the
business here because you have come from London?"
"Sounds funny, I know, but I do believe it," answered Wilson. "I
believe these affairs want fresh methods. But most of all I believe
they want a fresh eye."
The superior officers laughed, and the redhaired man went on with a
slight touch of temper:
"Well, look at the facts. See how the fellow got away every time,
and you'll understand what I mean. Why was he able to stand in the
place of the scarecrow, hidden by nothing but an old hat? Because it
was a village policeman who knew the scarecrow was there, was
expecting it, and therefore took no notice of it. Now I never expect
a scarecrow. I've never seen one in the street, and I stare at one
when I see it in the field. It's a new thing to me and worth
noticing. And it was just the same when he hid in the well. You are
ready to find a well in a place like that; you look for a well, and
so you don't see it. I don't look for it, and therefore I do look at
it."
"It is certainly an idea," said Sir Walter, smiling, "but what about
the balcony? Balconies are occasionally seen in London."
"But not rivers right under them, as if it was in Venice," replied
Wilson.
"It is certainly a new idea," repeated Sir Walter, with something
like respect. He had all the love of the luxurious classes for new
ideas. But he also had a critical faculty, and was inclined to
think, after due reflection, that it was a true idea as well.
Growing dawn had already turned the window panes from black to gray
when Sir Walter got abruptly to his feet. The others rose also,
taking this for a signal that the arrest was to be undertaken. But
their leader stood for a moment in deep thought, as if conscious
that he had come to a parting of the ways.
Suddenly the silence was pierced by a long, wailing cry from the
dark moors outside. The silence that followed it seemed more
startling than the shriek itself, and it lasted until Nolan said,
heavily:
"'Tis the banshee. Somebody is marked for the grave."
His long, large-featured face was as pale as a moon, and it was easy
to remember that he was the only Irishman in the room.
"Well, I know that banshee," said Wilson, cheerfully, "ignorant as
you think I am of these things. I talked to that banshee myself an
hour ago, and I sent that banshee up to the tower and told her to
sing out like that if she could get a glimpse of our friend writing
his proclamation."
"Do you mean that girl Bridget Royce?" asked Morton, drawing his
frosty brows together. "Has she turned king's evidence to that
extent?"
"Yes," answered Wilson. "I know very little of these local things,
you tell me, but I reckon an angry woman is much the same in all
countries."
Nolan, however, seemed still moody and unlike himself. "It's an ugly
noise and an ugly business altogether," he said. "If it's really the
end of Prince Michael it may well be the end of other things as
well. When the spirit is on him he would escape by a ladder of dead
men, and wade through that sea if it were made of blood."
"Is that the real reason of your pious alarms?" asked Wilson, with a
slight sneer.
The Irishman's pale face blackened with a new passion.
"I have faced as many murderers in County Clare as you ever fought
with in Clapham Junction, Mr. Cockney," he said.
"Hush, please," said Morton, sharply. "Wilson, you have no kind of
right to imply doubt of your superior's conduct. I hope you will
prove yourself as courageous and trustworthy as he has always been."
The pale face of the red-haired man seemed a shade paler, but he was
silent and composed, and Sir Walter went up to Nolan with marked
courtesy, saying, "Shall we go outside now, and get this business
done?"
Dawn had lifted, leaving a wide chasm of white between a great gray
cloud and the great gray moorland, beyond which the tower was
outlined against the daybreak and the sea.
Something in its plain and primitive shape vaguely suggested the
dawn in the first days of the earth, in some prehistoric time when
even the colors were hardly created, when there was only blank
daylight between cloud and clay. These dead hues were relieved only
by one spot of gold--the spark of the candle alight in the window
of the lonely tower, and burning on into the broadening daylight. As
the group of detectives, followed by a cordon of policemen, spread
out into a crescent to cut off all escape, the light in the tower
flashed as if it were moved for a moment, and then went out. They
knew the man inside had realized the daylight and blown out his
candle.
"There are other windows, aren't there?" asked Morton, "and a door,
of course, somewhere round the corner? Only a round tower has no
corners."
"Another example of my small suggestion," observed Wilson, quietly.
"That queer tower was the first thing I saw when I came to these
parts; and I can tell you a little more about it--or, at any rate,
the outside of it. There are four windows altogether, one a little
way from this one, but just out of sight. Those are both on the
ground floor, and so is the third on the other side, making a sort
of triangle. But the fourth is just above the third, and I suppose
it looks on an upper floor."
"It's only a sort of loft, reached by a ladder, said Nolan. "I've
played in the place when I was a child. It's no more than an empty
shell." And his sad face grew sadder, thinking perhaps of the
tragedy of his country and the part that he played in it.
"The man must have got a table and chair, at any rate," said Wilson,
"but no doubt he could have got those from some cottage. If I might
make a suggestion, sir, I think we ought to approach all the five
entrances at once, so to speak. One of us should go to the door and
one to each window; Macbride here has a ladder for the upper
window."
Mr. Horne Fisher languidly turned to his distinguished relative and
spoke for the first time.
"I am rather a convert to the cockney school of psychology," he said
in an almost inaudible voice.
The others seemed to feel the same influence in different ways, for
the group began to break up in the manner indicated. Morton moved
toward the window immediately in front of them, where the hidden
outlaw had just snuffed the candle; Nolan, a little farther westward
to the next window; while Wilson, followed by Macbride with the
ladder, went round to the two windows at the back. Sir Walter Carey
himself, followed by his secretary, began to walk round toward the
only door, to demand admittance in a more regular fashion.
"He will be armed, of course," remarked Sir Walter, casually.
"By all accounts," replied Horne Fisher, "he can do more with a
candlestick than most men with a pistol. But he is pretty sure to
have the pistol, too."
Even as he spoke the question was answered with a tongue of thunder.
Morton had just placed himself in front of the nearest window, his
broad shoulders blocking the aperture. For an instant it was lit
from within as with red fire, followed by a thundering throng of
echoes. The square shoulders seemed to alter in shape, and the
sturdy figure collapsed among the tall, rank grasses at the foot of
the tower. A puff of smoke floated from the window like a little
cloud. The two men behind rushed to the spot and raised him, but he
was dead.
Sir Walter straightened himself and called out something that was
lost in another noise of firing; it was possible that the police
were already avenging their comrade from the other side. Fisher had
already raced round to the next window, and a new cry of
astonishment from him brought his patron to the same spot. Nolan,
the Irish policeman, had also fallen, sprawling all his great length
in the grass, and it was red with his blood. He was still alive when
they reached him, but there was death on his face, and he was only
able to make a final gesture telling them that all was over; and,
with a broken word and a heroic effort, motioning them on to where
his other comrades were besieging the back of the tower. Stunned by
these rapid and repeated shocks, the two men could only vaguely obey
the gesture, and, finding their way to the other windows at the
back, they discovered a scene equally startling, if less final and
tragic. The other two officers were not dead or mortally wounded,
but Macbride lay with a broken leg and his ladder on top of him,
evidently thrown down from the top window of the tower; while Wilson
lay on his face, quite still as if stunned, with his red head among
the gray and silver of the sea holly. In him, however, the impotence
was but momentary, for he began to move and rise as the others came
round the tower.
"My God! it's like an explosion!" cried Sir Walter; and indeed it
was the only word for this unearthly energy, by which one man had
been able to deal death or destruction on three sides of the same
small triangle at the same instant.
Wilson had already scrambled to his feet and with splendid energy
flew again at the window, revolver in hand. He fired twice into the
opening and then disappeared in his own smoke; but the thud of his
feet and the shock of a falling chair told them that the intrepid
Londoner had managed at last to leap into the room. Then followed a
curious silence; and Sir Walter, walking to the window through the
thinning smoke, looked into the hollow shell of the ancient tower.
Except for Wilson, staring around him, there was nobody there.
The inside of the tower was a single empty room, with nothing but a
plain wooden chair and a table on which were pens, ink and paper,
and the candlestick. Halfway up the high wall there was a rude
timber platform under the upper window, a small loft which was more
like a large shelf. It was reached only by a ladder, and it seemed
to be as bare as the bare walls. Wilson completed his survey of the
place and then went and stared at the things on the table. Then he
silently pointed with his lean forefinger at the open page of the
large notebook. The writer had suddenly stopped writing, even in the
middle of a word.
"I said it was like an explosion," said Sir Walter Carey at last.
"And really the man himself seems to have suddenly exploded. But he
has blown himself up somehow without touching the tower. He's burst
more like a bubble than a bomb."
"He has touched more valuable things than the tower," said Wilson,
gloomily.
There was a long silence, and then Sir Walter said, seriously:
"Well, Mr. Wilson, I am not a detective, and these unhappy
happenings have left you in charge of that branch of the business.
We all lament the cause of this, but I should like to say that I
myself have the strongest confidence in your capacity for carrying
on the work. What do you think we should do next?"
Wilson seemed to rouse himself from his depression and acknowledged
the speaker's words with a warmer civility than he had hitherto
shown to anybody. He called in a few of the police to assist in
routing out the interior, leaving the rest to spread themselves in a
search party outside.
"I think," he said, "the first thing is to make quite sure about the
inside of this place, as it was hardly physically possible for him
to have got outside. I suppose poor Nolan would have brought in his
banshee and said it was supernaturally possible. But I've got no use
for disembodied spirits when I'm dealing with facts. And the facts
before me are an empty tower with a ladder, a chair, and a table."
"The spiritualists," said Sir Walter, with a smile, "would say that
spirits could find a great deal of use for a table."
"I dare say they could if the spirits were on the table--in a
bottle," replied Wilson, with a curl of his pale lip. "The people
round here, when they're all sodden up with Irish whisky, may
believe in such things. I think they want a little education in this
country."
Horne Fisher's heavy eyelids fluttered in a faint attempt to rise,
as if he were tempted to a lazy protest against the contemptuous
tone of the investigator.
"The Irish believe far too much in spirits to believe in
spiritualism," he murmured. "They know too much about 'em. If you
want a simple and childlike faith in any spirit that comes along you
can get it in your favorite London."
"I don't want to get it anywhere," said Wilson, shortly. "I say I'm
dealing with much simpler things than your simple faith, with a
table and a chair and a ladder. Now what I want to say about them at
the start is this. They are all three made roughly enough of plain
wood. But the table and the chair are fairly new and comparatively
clean. The ladder is covered with dust and there is a cobweb under
the top rung of it. That means that he borrowed the first two quite
recently from some cottage, as we supposed, but the ladder has been
a long time in this rotten old dustbin. Probably it was part of the
original furniture, an heirloom in this magnificent palace of the
Irish kings."
Again Fisher looked at him under his eyelids, but seemed too sleepy
to speak, and Wilson went on with his argument.
"Now it's quite clear that something very odd has just happened in
this place. The chances are ten to one, it seems to me, that it had
something specially to do with this place. Probably he came here
because he could do it only here; it doesn't seem very inviting
otherwise. But the man knew it of old; they say it belonged to his
family, so that altogether, I think, everything points to something
in the construction of the tower itself."
"Your reasoning seems to me excellent," said Sir Walter, who was
listening attentively. "But what could it be?"
"You see now what I mean about the ladder," went on the detective;
"it's the only old piece of furniture here and the first thing that
caught that cockney eye of mine. But there is something else. That
loft up there is a sort of lumber room without any lumber. So far as
I can see, it's as empty as everything else; and, as things are, I
don't see the use of the ladder leading to it. It seems to me, as I
can't find anything unusual down here, that it might pay us to look
up there."
He got briskly off the table on which he was sitting (for the only
chair was allotted to Sir Walter) and ran rapidly up the ladder to
the platform above. He was soon followed by the others, Mr. Fisher
going last, however, with an appearance of considerable nonchalance.
At this stage, however, they were destined to disappointment; Wilson
nosed in every corner like a terrier and examined the roof almost in
the posture of a fly, but half an hour afterward they had to confess
that they were still without a clew. Sir Walter's private secretary
seemed more and more threatened with inappropriate slumber, and,
having been the last to climb up the ladder, seemed now to lack the
energy even to climb down again.
"Come along, Fisher," called out Sir Walter from below, when the
others had regained the floor. "We must consider whether we'll pull
the whole place to pieces to see what it's made of."
"I'm coming in a minute," said the voice from the ledge above their
heads, a voice somewhat suggestive of an articulate yawn.
"What are you waiting for?" asked Sir Walter, impatiently. "Can you
see anything there?"
"Well, yes, in a way," replied the voice, vaguely. "In fact, I see
it quite plain now."
"What is it?" asked Wilson, sharply, from the table on which he sat
kicking his heels restlessly.
"Well, it's a man," said Horne Fisher.
Wilson bounded off the table as if he had been kicked off it. "What
do you mean?" he cried. "How can you possibly see a man?"
"I can see him through the window," replied the secretary, mildly.
"I see him coming across the moor. He's making a bee line across the
open country toward this tower. He evidently means to pay us a
visit. And, considering who it seems to be, perhaps it would be more
polite if we were all at the door to receive him." And in a
leisurely manner the secretary came down the ladder.
"Who it seems to be!" repeated Sir Walter in astonishment.
"Well, I think it's the man you call Prince Michael," observed Mr.
Fisher, airily. "In fact, I'm sure it is. I've seen the police
portraits of him."
There was a dead silence, and Sir Walter's usually steady brain
seemed to go round like a windmill.
"But, hang it all!" he said at last, "even supposing his own
explosion could have thrown him half a mile away, without passing
through any of the windows, and left him alive enough for a country
walk--even then, why the devil should he walk in this direction?
The murderer does not generally revisit the scene of his crime so
rapidly as all that."
"He doesn't know yet that it is the scene of his crime," answered
Horne Fisher.
"What on earth do you mean? You credit him with rather singular
absence of mind."
"Well, the truth is, it isn't the scene of his crime," said Fisher,
and went and looked out of the window.
There was another silence, and then Sir Walter said, quietly: "What
sort of notion have you really got in your head, Fisher? Have you
developed a new theory about how this fellow escaped out of the ring
round him?"
"He never escaped at all," answered the man at the window, without
turning round. "He never escaped out of the ring because he was
never inside the ring. He was not in this tower at all, at least not
when we were surrounding it."
He turned and leaned back against the window, but, in spite of his
usual listless manner, they almost fancied that the face in shadow
was a little pale.
"I began to guess something of the sort when we were some way from
the tower," he said. "Did you notice that sort of flash or flicker
the candle gave before it was extinguished? I was almost certain it
was only the last leap the flame gives when a candle burns itself
out. And then I came into this room and I saw that."
He pointed at the table and Sir Walter caught his breath with a sort
of curse at his own blindness. For the candle in the candlestick had
obviously burned itself away to nothing and left him, mentally, at
least, very completely in the dark.
"Then there is a sort of mathematical question," went on Fisher,
leaning back in his limp way and looking up at the bare walls, as if
tracing imaginary diagrams there. "It's not so easy for a man in the
third angle to face the other two at the same moment, especially if
they are at the base of an isosceles. I am sorry if it sounds like a
lecture on geometry, but--"
"I'm afraid we have no time for it," said Wilson, coldly. "If this
man is really coming back, I must give my orders at once."
"I think I'll go on with it, though," observed Fisher, staring at
the roof with insolent serenity.
"I must ask you, Mr. Fisher, to let me conduct my inquiry on my own
lines," said Wilson, firmly. "I am the officer in charge now."
"Yes," remarked Horne Fisher, softly, but with an accent that
somehow chilled the hearer. "Yes. But why?"
Sir Walter was staring, for he had never seen his rather
lackadaisical young friend look like that before. Fisher was looking
at Wilson with lifted lids, and the eyes under them seemed to have
shed or shifted a film, as do the eyes of an eagle.
"Why are you the officer in charge now?" he asked. "Why can you
conduct the inquiry on your own lines now? How did it come about, I
wonder, that the elder officers are not here to interfere with
anything you do?"
Nobody spoke, and nobody can say how soon anyone would have
collected his wits to speak when a noise came from without. It was
the heavy and hollow sound of a blow upon the door of the tower, and
to their shaken spirits it sounded strangely like the hammer of
doom.
The wooden door of the tower moved on its rusty hinges under the
hand that struck it and Prince Michael came into the room. Nobody
had the smallest doubt about his identity. His light clothes, though
frayed with his adventures, were of fine and almost foppish cut, and
he wore a pointed beard, or imperial, perhaps as a further
reminiscence of Louis Napoleon; but he was a much taller and more
graceful man that his prototype. Before anyone could speak he had
silenced everyone for an instant with a slight but splendid gesture
of hospitality.
"Gentlemen," he said, "this is a poor place now, but you are
heartily welcome."
Wilson was the first to recover, and he took a stride toward the
newcomer.
"Michael O'Neill, I arrest you in the king's name for the murder of
Francis Morton and James Nolan. It is my duty to warn you--"
"No, no, Mr. Wilson," cried Fisher, suddenly. "You shall not commit
a third murder."
Sir Walter Carey rose from his chair, which fell over with a crash
behind him. "What does all this mean?" he called out in an
authoritative manner.
"It means," said Fisher, "that this man, Hooker Wilson, as soon as
he had put his head in at that window, killed his two comrades who
had put their heads in at the other windows, by firing across the
empty room. That is what it means. And if you want to know, count
how many times he is supposed to have fired and then count the
charges left in his revolver."
Wilson, who was still sitting on the table, abruptly put a hand out
for the weapon that lay beside him. But the next movement was the
most unexpected of all, for the prince standing in the doorway
passed suddenly from the dignity of a statue to the swiftness of an
acrobat and rent the revolver out of the detective's hand.
"You dog!" he cried. "So you are the type of English truth, as I am
of Irish tragedy--you who come to kill me, wading through the blood
of your brethren. If they had fallen in a feud on the hillside, it
would be called murder, and yet your sin might be forgiven you. But
I, who am innocent, I was to be slain with ceremony. There would
be long speeches and patient judges listening to my vain plea of
innocence, noting down my despair and disregarding it. Yes, that is
what I call assassination. But killing may be no murder; there is
one shot left in this little gun, and I know where it should go."
Wilson turned quickly on the table, and even as he turned he twisted
in agony, for Michael shot him through the body where he sat, so
that he tumbled off the table like lumber.
The police rushed to lift him; Sir Walter stood speechless; and
then, with a strange and weary gesture, Horne Fisher spoke.
"You are indeed a type of the Irish tragedy," he said. "You were
entirely in the right, and you have put yourself in the wrong."
The prince's face was like marble for a space then there dawned in
his eyes a light not unlike that of despair. He laughed suddenly and
flung the smoking pistol on the ground.
"I am indeed in the wrong," he said. "I have committed a crime that
may justly bring a curse on me and my children."
Horne Fisher did not seem entirely satisfied with this very sudden
repentance; he kept his eyes on the man and only said, in a low
voice, "What crime do you mean?"
"I have helped English justice," replied Prince Michael. "I have
avenged your king's officers; I have done the work of his hangman.
For that truly I deserve to be hanged."
And he turned to the police with a gesture that did not so much
surrender to them, but rather command them to arrest him.
This was the story that Horne Fisher told to Harold March, the
journalist, many years after, in a little, but luxurious, restaurant
near Piccadilly. He had invited March to dinner some time after the
affair he called "The Face in the Target," and the conversation had
naturally turned on that mystery and afterward on earlier memories
of Fisher's life and the way in which he was led to study such
problems as those of Prince Michael. Horne Fisher was fifteen years
older; his thin hair had faded to frontal baldness, and his long,
thin hands dropped less with affectation and more with fatigue. And
he told the story of the Irish adventure of his youth, because it
recorded the first occasion on which he had ever come in contact
with crime, or discovered how darkly and how terribly crime can be
entangled with law.
"Hooker Wilson was the first criminal I ever knew, and he was a
policeman," explained Fisher, twirling his wine glass. "And all my
life has been a mixed-up business of the sort. He was a man of very
real talent, and perhaps genius, and well worth studying, both as a
detective and a criminal. His white face and red hair were typical
of him, for he was one of those who are cold and yet on fire for
fame; and he could control anger, but not ambition. He swallowed the
snubs of his superiors in that first quarrel, though he boiled with
resentment; but when he suddenly saw the two heads dark against the
dawn and framed in the two windows, he could not miss the chance,
not only of revenge, but of the removal of the two obstacles to his
promotion. He was a dead shot and counted on silencing both, though
proof against him would have been hard in any case. But, as a matter
of fact, he had a narrow escape, in the case of Nolan, who lived
just long enough to say, 'Wilson' and point. We thought he was
summoning help for his comrade, but he was really denouncing his
murderer. After that it was easy to throw down the ladder above him
(for a man up a ladder cannot see clearly what is below and behind)
and to throw himself on the ground as another victim of the
catastrophe.
"But there was mixed up with his murderous ambition a real belief,
not only in his own talents, but in his own theories. He did believe
in what he called a fresh eye, and he did want scope for fresh
methods. There was something in his view, but it failed where such
things commonly fail, because the fresh eye cannot see the unseen.
It is true about the ladder and the scarecrow, but not about the
life and the soul; and he made a bad mistake about what a man like
Michael would do when he heard a woman scream. All Michael's very
vanity and vainglory made him rush out at once; he would have walked
into Dublin Castle for a lady's glove. Call it his pose or what you
will, but he would have done it. What happened when he met her is
another story, and one we may never know, but from tales I've heard
since, they must have been reconciled. Wilson was wrong there; but
there was something, for all that, in his notion that the newcomer
sees most, and that the man on the spot may know too much to know
anything. He was right about some things. He was right about me."
"About you?" asked Harold March in some wonder.
"I am the man who knows too much to know anything, or, at any rate,
to do anything," said Horne Fisher. "I don't mean especially about
Ireland. I mean about England. I mean about the whole way we are
governed, and perhaps the only way we can be governed. You asked me
just now what became of the survivors of that tragedy. Well, Wilson
recovered and we managed to persuade him to retire. But we had to
pension that damnable murderer more magnificently than any hero who
ever fought for England. I managed to save Michael from the worst,
but we had to send that perfectly innocent man to penal servitude
for a crime we know he never committed, and it was only afterward
that we could connive in a sneakish way at his escape. And Sir
Walter Carey is Prime Minister of this country, which he would
probably never have been if the truth had been told of such a
horrible scandal in his department. It might have done for us
altogether in Ireland; it would certainly have done for him. And he
is my father's old friend, and has always smothered me with
kindness. I am too tangled up with the whole thing, you see, and I
was certainly never born to set it right. You look distressed, not
to say shocked, and I'm not at all offended at it. Let us change the
subject by all means, if you like. What do you think of this
Burgundy? It's rather a discovery of mine, like the restaurant
itself."
And he proceeded to talk learnedly and luxuriantly on all the wines
of the world; on which subject, also, some moralists would consider
that he knew too much.