Chapter Chapter 34 · THE EFFECT WHICH SEVEN OATHS IN THE OPEN AIR CAN

. THE EFFECT WHICH SEVEN OATHS IN THE OPEN AIR CAN

PRODUCE.

“_Te Deum laudamus_!” exclaimed Master Jehan, creeping out from

his hole, “the screech-owls have departed. Och! och! Hax! pax!

max! fleas! mad dogs! the devil! I have had enough of their

conversation! My head is humming like a bell tower. And mouldy

cheese to boot! Come on! Let us descend, take the big brother’s

purse and convert all these coins into bottles!”

He cast a glance of tenderness and admiration into the interior

of the precious pouch, readjusted his toilet, rubbed up his

boots, dusted his poor half sleeves, all gray with ashes,

whistled an air, indulged in a sportive pirouette, looked about

to see whether there were not something more in the cell to take,

gathered up here and there on the furnace some amulet in glass

which might serve to bestow, in the guise of a trinket, on

Isabeau la Thierrye, finally pushed open the door which his

brother had left unfastened, as a last indulgence, and which he,

in his turn, left open as a last piece of malice, and descended

the circular staircase, skipping like a bird.

In the midst of the gloom of the spiral staircase, he elbowed

something which drew aside with a growl; he took it for granted

that it was Quasimodo, and it struck him as so droll that he

descended the remainder of the staircase holding his sides with

laughter. On emerging upon the Place, he laughed yet more

heartily.

He stamped his foot when he found himself on the ground once

again. “Oh!” said he, “good and honorable pavement of Paris,

cursed staircase, fit to put the angels of Jacob’s ladder out of

breath! What was I thinking of to thrust myself into that stone

gimlet which pierces the sky; all for the sake of eating bearded

cheese, and looking at the bell-towers of Paris through a hole in

the wall!”

He advanced a few paces, and caught sight of the two screech

owls, that is to say, Dom Claude and Master Jacques Charmolue,

absorbed in contemplation before a carving on the façade. He

approached them on tiptoe, and heard the archdeacon say in a low

tone to Charmolue: “’Twas Guillaume de Paris who caused a Job to

be carved upon this stone of the hue of lapis-lazuli, gilded on

the edges. Job represents the philosopher’s stone, which must

also be tried and martyrized in order to become perfect, as saith

Raymond Lulle: _Sub conservatione formæ specificæ salva anima_.”

“That makes no difference to me,” said Jehan, “’tis I who have

the purse.”

At that moment he heard a powerful and sonorous voice articulate

behind him a formidable series of oaths. “_Sang Dieu!

Ventre-Dieu! Bédieu! Corps de Dieu! Nombril de Belzébuth! Nom

d’un pape! Corne et tonnerre_.”

“Upon my soul!” exclaimed Jehan, “that can only be my friend,

Captain Phœbus!”

This name of Phœbus reached the ears of the archdeacon at the

moment when he was explaining to the king’s procurator the dragon

which is hiding its tail in a bath, from which issue smoke and

the head of a king. Dom Claude started, interrupted himself and,

to the great amazement of Charmolue, turned round and beheld his

brother Jehan accosting a tall officer at the door of the

Gondelaurier mansion.

It was, in fact, Captain Phœbus de Châteaupers. He was backed up

against a corner of the house of his betrothed and swearing like

a heathen.

“By my faith! Captain Phœbus,” said Jehan, taking him by the

hand, “you are cursing with admirable vigor.”

“Horns and thunder!” replied the captain.

“Horns and thunder yourself!” replied the student. “Come now,

fair captain, whence comes this overflow of fine words?”

“Pardon me, good comrade Jehan,” exclaimed Phœbus, shaking his

hand, “a horse going at a gallop cannot halt short. Now, I was

swearing at a hard gallop. I have just been with those prudes,

and when I come forth, I always find my throat full of curses, I

must spit them out or strangle, _ventre et tonnerre!_”

“Will you come and drink?” asked the scholar.

This proposition calmed the captain.

“I’m willing, but I have no money.”

“But I have!”

“Bah! let’s see it!”

Jehan spread out the purse before the captain’s eyes, with

dignity and simplicity. Meanwhile, the archdeacon, who had

abandoned the dumbfounded Charmolue where he stood, had

approached them and halted a few paces distant, watching them

without their noticing him, so deeply were they absorbed in

contemplation of the purse.

Phœbus exclaimed: “A purse in your pocket, Jehan! ’tis the moon

in a bucket of water, one sees it there but ’tis not there. There

is nothing but its shadow. Pardieu! let us wager that these are

pebbles!”

Jehan replied coldly: “Here are the pebbles wherewith I pave my

fob!”

And without adding another word, he emptied the purse on a

neighboring post, with the air of a Roman saving his country.

“True God!” muttered Phœbus, “targes, big-blanks, little blanks,

mailles,[38] every two worth one of Tournay, farthings of Paris,

real eagle liards! ’Tis dazzling!”

Jehan remained dignified and immovable. Several liards had rolled

into the mud; the captain in his enthusiasm stooped to pick them

up. Jehan restrained him.

“Fye, Captain Phœbus de Châteaupers!”

Phœbus counted the coins, and turning towards Jehan with

solemnity, “Do you know, Jehan, that there are three and twenty

sous parisis! whom have you plundered to-night, in the Street

Cut-Weazand?”

Jehan flung back his blonde and curly head, and said,

half-closing his eyes disdainfully,—

“We have a brother who is an archdeacon and a fool.”

“_Corne de Dieu!_” exclaimed Phœbus, “the worthy man!”

“Let us go and drink,” said Jehan.

“Where shall we go?” said Phœbus; “‘To Eve’s Apple.’”

“No, captain, to ‘Ancient Science.’ An old woman sawing a basket

handle;[39] ’tis a rebus, and I like that.”

“A plague on rebuses, Jehan! the wine is better at ‘Eve’s Apple’;

and then, beside the door there is a vine in the sun which cheers

me while I am drinking.”

“Well! here goes for Eve and her apple,” said the student, and

taking Phœbus’s arm. “By the way, my dear captain, you just

mentioned the Rue Coupe-Gueule[40] That is a very bad form of

speech; people are no longer so barbarous. They say,

Coupe-Gorge[41].”

The two friends set out towards “Eve’s Apple.” It is unnecessary

to mention that they had first gathered up the money, and that

the archdeacon followed them.

The archdeacon followed them, gloomy and haggard. Was this the

Phœbus whose accursed name had been mingled with all his thoughts

ever since his interview with Gringoire? He did not know it, but

it was at least a Phœbus, and that magic name sufficed to make

the archdeacon follow the two heedless comrades with the stealthy

tread of a wolf, listening to their words and observing their

slightest gestures with anxious attention. Moreover, nothing was

easier than to hear everything they said, as they talked loudly,

not in the least concerned that the passers-by were taken into

their confidence. They talked of duels, wenches, wine pots, and

folly.

At the turning of a street, the sound of a tambourine reached

them from a neighboring square. Dom Claude heard the officer say

to the scholar,—

“Thunder! Let us hasten our steps!”

“Why, Phœbus?”

“I’m afraid lest the Bohemian should see me.”

“What Bohemian?”

“The little girl with the goat.”

“La Smeralda?”

“That’s it, Jehan. I always forget her devil of a name. Let us

make haste, she will recognize me. I don’t want to have that girl

accost me in the street.”

“Do you know her, Phœbus?”

Here the archdeacon saw Phœbus sneer, bend down to Jehan’s ear,

and say a few words to him in a low voice; then Phœbus burst into

a laugh, and shook his head with a triumphant air.

“Truly?” said Jehan.

“Upon my soul!” said Phœbus.

“This evening?”

“This evening.”

“Are you sure that she will come?”

“Are you a fool, Jehan? Does one doubt such things?”

“Captain Phœbus, you are a happy gendarme!”

The archdeacon heard the whole of this conversation. His teeth

chattered; a visible shiver ran through his whole body. He halted

for a moment, leaned against a post like a drunken man, then

followed the two merry knaves.

At the moment when he overtook them once more, they had changed

their conversation. He heard them singing at the top of their

lungs the ancient refrain,—

Les enfants des Petits-Carreaux

Se font pendre comme des veaux[42].