Chapter Chapter 32 · Chapter XXXII

. Chapter XXXII

Promptly, the next afternoon, Maria was excited by Martin’s second

visitor. But she did not lose her head this time, for she seated

Brissenden in her parlor’s grandeur of respectability.

“Hope you don’t mind my coming?” Brissenden began.

“No, no, not at all,” Martin answered, shaking hands and waving him to

the solitary chair, himself taking to the bed. “But how did you know

where I lived?”

“Called up the Morses. Miss Morse answered the ’phone. And here I am.”

He tugged at his coat pocket and flung a thin volume on the table.

“There’s a book, by a poet. Read it and keep it.” And then, in reply to

Martin’s protest: “What have I to do with books? I had another

hemorrhage this morning. Got any whiskey? No, of course not. Wait a

minute.”

He was off and away. Martin watched his long figure go down the outside

steps, and, on turning to close the gate, noted with a pang the

shoulders, which had once been broad, drawn in now over the collapsed

ruin of the chest. Martin got two tumblers, and fell to reading the

book of verse, Henry Vaughn Marlow’s latest collection.

“No Scotch,” Brissenden announced on his return. “The beggar sells

nothing but American whiskey. But here’s a quart of it.”

“I’ll send one of the youngsters for lemons, and we’ll make a toddy,”

Martin offered.

“I wonder what a book like that will earn Marlow?” he went on, holding

up the volume in question.

“Possibly fifty dollars,” came the answer. “Though he’s lucky if he

pulls even on it, or if he can inveigle a publisher to risk bringing it

out.”

“Then one can’t make a living out of poetry?”

Martin’s tone and face alike showed his dejection.

“Certainly not. What fool expects to? Out of rhyming, yes. There’s

Bruce, and Virginia Spring, and Sedgwick. They do very nicely. But

poetry—do you know how Vaughn Marlow makes his living?—teaching in a

boys’ cramming-joint down in Pennsylvania, and of all private little

hells such a billet is the limit. I wouldn’t trade places with him if

he had fifty years of life before him. And yet his work stands out from

the ruck of the contemporary versifiers as a balas ruby among carrots.

And the reviews he gets! Damn them, all of them, the crass manikins!”

“Too much is written by the men who can’t write about the men who do

write,” Martin concurred. “Why, I was appalled at the quantities of

rubbish written about Stevenson and his work.”

“Ghouls and harpies!” Brissenden snapped out with clicking teeth. “Yes,

I know the spawn—complacently pecking at him for his Father Damien

letter, analyzing him, weighing him—”

“Measuring him by the yardstick of their own miserable egos,” Martin

broke in.

“Yes, that’s it, a good phrase,—mouthing and besliming the True, and

Beautiful, and Good, and finally patting him on the back and saying,

‘Good dog, Fido.’ Faugh! ‘The little chattering daws of men,’ Richard

Realf called them the night he died.”

“Pecking at star-dust,” Martin took up the strain warmly; “at the

meteoric flight of the master-men. I once wrote a squib on them—the

critics, or the reviewers, rather.”

“Let’s see it,” Brissenden begged eagerly.

So Martin unearthed a carbon copy of “Star-dust,” and during the

reading of it Brissenden chuckled, rubbed his hands, and forgot to sip

his toddy.

“Strikes me you’re a bit of star-dust yourself, flung into a world of

cowled gnomes who cannot see,” was his comment at the end of it. “Of

course it was snapped up by the first magazine?”

Martin ran over the pages of his manuscript book. “It has been refused

by twenty-seven of them.”

Brissenden essayed a long and hearty laugh, but broke down in a fit of

coughing.

“Say, you needn’t tell me you haven’t tackled poetry,” he gasped. “Let

me see some of it.”

“Don’t read it now,” Martin pleaded. “I want to talk with you. I’ll

make up a bundle and you can take it home.”

Brissenden departed with the “Love-cycle,” and “The Peri and the

Pearl,” returning next day to greet Martin with:-

“I want more.”

Not only did he assure Martin that he was a poet, but Martin learned

that Brissenden also was one. He was swept off his feet by the other’s

work, and astounded that no attempt had been made to publish it.

“A plague on all their houses!” was Brissenden’s answer to Martin’s

volunteering to market his work for him. “Love Beauty for its own

sake,” was his counsel, “and leave the magazines alone. Back to your

ships and your sea—that’s my advice to you, Martin Eden. What do you

want in these sick and rotten cities of men? You are cutting your

throat every day you waste in them trying to prostitute beauty to the

needs of magazinedom. What was it you quoted me the other day?—Oh, yes,

‘Man, the latest of the ephemera.’ Well, what do you, the latest of the

ephemera, want with fame? If you got it, it would be poison to you. You

are too simple, too elemental, and too rational, by my faith, to

prosper on such pap. I hope you never do sell a line to the magazines.

Beauty is the only master to serve. Serve her and damn the multitude!

Success! What in hell’s success if it isn’t right there in your

Stevenson sonnet, which outranks Henley’s ‘Apparition,’ in that

‘Love-cycle,’ in those sea-poems?

“It is not in what you succeed in doing that you get your joy, but in

the doing of it. You can’t tell me. I know it. You know it. Beauty

hurts you. It is an everlasting pain in you, a wound that does not

heal, a knife of flame. Why should you palter with magazines? Let

beauty be your end. Why should you mint beauty into gold? Anyway, you

can’t; so there’s no use in my getting excited over it. You can read

the magazines for a thousand years and you won’t find the value of one

line of Keats. Leave fame and coin alone, sign away on a ship

to-morrow, and go back to your sea.”

“Not for fame, but for love,” Martin laughed. “Love seems to have no

place in your Cosmos; in mine, Beauty is the handmaiden of Love.”

Brissenden looked at him pityingly and admiringly. “You are so young,

Martin boy, so young. You will flutter high, but your wings are of the

finest gauze, dusted with the fairest pigments. Do not scorch them. But

of course you have scorched them already. It required some glorified

petticoat to account for that ‘Love-cycle,’ and that’s the shame of

it.”

“It glorifies love as well as the petticoat,” Martin laughed.

“The philosophy of madness,” was the retort. “So have I assured myself

when wandering in hasheesh dreams. But beware. These bourgeois cities

will kill you. Look at that den of traitors where I met you. Dry rot is

no name for it. One can’t keep his sanity in such an atmosphere. It’s

degrading. There’s not one of them who is not degrading, man and woman,

all of them animated stomachs guided by the high intellectual and

artistic impulses of clams—”

He broke off suddenly and regarded Martin. Then, with a flash of

divination, he saw the situation. The expression on his face turned to

wondering horror.

“And you wrote that tremendous ‘Love-cycle’ to her—that pale,

shrivelled, female thing!”

The next instant Martin’s right hand had shot to a throttling clutch on

his throat, and he was being shaken till his teeth rattled. But Martin,

looking into his eyes, saw no fear there,—naught but a curious and

mocking devil. Martin remembered himself, and flung Brissenden, by the

neck, sidelong upon the bed, at the same moment releasing his hold.

Brissenden panted and gasped painfully for a moment, then began to

chuckle.

“You had made me eternally your debtor had you shaken out the flame,”

he said.

“My nerves are on a hair-trigger these days,” Martin apologized. “Hope

I didn’t hurt you. Here, let me mix a fresh toddy.”

“Ah, you young Greek!” Brissenden went on. “I wonder if you take just

pride in that body of yours. You are devilish strong. You are a young

panther, a lion cub. Well, well, it is you who must pay for that

strength.”

“What do you mean?” Martin asked curiously, passing him a glass. “Here,

down this and be good.”

“Because—” Brissenden sipped his toddy and smiled appreciation of it.

“Because of the women. They will worry you until you die, as they have

already worried you, or else I was born yesterday. Now there’s no use

in your choking me; I’m going to have my say. This is undoubtedly your

calf love; but for Beauty’s sake show better taste next time. What

under heaven do you want with a daughter of the bourgeoisie? Leave them

alone. Pick out some great, wanton flame of a woman, who laughs at life

and jeers at death and loves one while she may. There are such women,

and they will love you just as readily as any pusillanimous product of

bourgeois sheltered life.”

“Pusillanimous?” Martin protested.

“Just so, pusillanimous; prattling out little moralities that have been

prattled into them, and afraid to live life. They will love you,

Martin, but they will love their little moralities more. What you want

is the magnificent abandon of life, the great free souls, the blazing

butterflies and not the little gray moths. Oh, you will grow tired of

them, too, of all the female things, if you are unlucky enough to live.

But you won’t live. You won’t go back to your ships and sea; therefore,

you’ll hang around these pest-holes of cities until your bones are

rotten, and then you’ll die.”

“You can lecture me, but you can’t make me talk back,” Martin said.

“After all, you have but the wisdom of your temperament, and the wisdom

of my temperament is just as unimpeachable as yours.”

They disagreed about love, and the magazines, and many things, but they

liked each other, and on Martin’s part it was no less than a profound

liking. Day after day they were together, if for no more than the hour

Brissenden spent in Martin’s stuffy room. Brissenden never arrived

without his quart of whiskey, and when they dined together down-town,

he drank Scotch and soda throughout the meal. He invariably paid the

way for both, and it was through him that Martin learned the

refinements of food, drank his first champagne, and made acquaintance

with Rhenish wines.

But Brissenden was always an enigma. With the face of an ascetic, he

was, in all the failing blood of him, a frank voluptuary. He was

unafraid to die, bitter and cynical of all the ways of living; and yet,

dying, he loved life, to the last atom of it. He was possessed by a

madness to live, to thrill, “to squirm my little space in the cosmic

dust whence I came,” as he phrased it once himself. He had tampered

with drugs and done many strange things in quest of new thrills, new

sensations. As he told Martin, he had once gone three days without

water, had done so voluntarily, in order to experience the exquisite

delight of such a thirst assuaged. Who or what he was, Martin never

learned. He was a man without a past, whose future was the imminent

grave and whose present was a bitter fever of living.