Chapter Chapter 27 · Chapter VIII

The Harling children and I were never happier, never felt more

contented and secure, than in the weeks of spring which broke that long

winter. We were out all day in the thin sunshine, helping Mrs. Harling

and Tony break the ground and plant the garden, dig around the orchard

trees, tie up vines and clip the hedges. Every morning, before I was

up, I could hear Tony singing in the garden rows. After the apple and

cherry trees broke into bloom, we ran about under them, hunting for the

new nests the birds were building, throwing clods at each other, and

playing hide-and-seek with Nina. Yet the summer which was to change

everything was coming nearer every day. When boys and girls are growing

up, life can’t stand still, not even in the quietest of country towns;

and they have to grow up, whether they will or no. That is what their

elders are always forgetting.

It must have been in June, for Mrs. Harling and Ántonia were preserving

cherries, when I stopped one morning to tell them that a dancing

pavilion had come to town. I had seen two drays hauling the canvas and

painted poles up from the depot.

That afternoon three cheerful-looking Italians strolled about Black

Hawk, looking at everything, and with them was a dark, stout woman who

wore a long gold watch-chain about her neck and carried a black lace

parasol. They seemed especially interested in children and vacant lots.

When I overtook them and stopped to say a word, I found them affable

and confiding. They told me they worked in Kansas City in the winter,

and in summer they went out among the farming towns with their tent and

taught dancing. When business fell off in one place, they moved on to

another.

The dancing pavilion was put up near the Danish laundry, on a vacant

lot surrounded by tall, arched cottonwood trees. It was very much like

a merry-go-round tent, with open sides and gay flags flying from the

poles. Before the week was over, all the ambitious mothers were sending

their children to the afternoon dancing class. At three o’clock one met

little girls in white dresses and little boys in the round-collared

shirts of the time, hurrying along the sidewalk on their way to the

tent. Mrs. Vanni received them at the entrance, always dressed in

lavender with a great deal of black lace, her important watch-chain

lying on her bosom. She wore her hair on the top of her head, built up

in a black tower, with red coral combs. When she smiled, she showed two

rows of strong, crooked yellow teeth. She taught the little children

herself, and her husband, the harpist, taught the older ones.

Often the mothers brought their fancywork and sat on the shady side of

the tent during the lesson. The popcorn man wheeled his glass wagon

under the big cottonwood by the door, and lounged in the sun, sure of a

good trade when the dancing was over. Mr. Jensen, the Danish

laundryman, used to bring a chair from his porch and sit out in the

grass plot. Some ragged little boys from the depot sold pop and iced

lemonade under a white umbrella at the corner, and made faces at the

spruce youngsters who came to dance. That vacant lot soon became the

most cheerful place in town. Even on the hottest afternoons the

cottonwoods made a rustling shade, and the air smelled of popcorn and

melted butter, and Bouncing Bets wilting in the sun. Those hardy

flowers had run away from the laundryman’s garden, and the grass in the

middle of the lot was pink with them.

The Vannis kept exemplary order, and closed every evening at the hour

suggested by the city council. When Mrs. Vanni gave the signal, and the

harp struck up ‘Home, Sweet Home,’ all Black Hawk knew it was ten

o’clock. You could set your watch by that tune as confidently as by the

roundhouse whistle.

At last there was something to do in those long, empty summer evenings,

when the married people sat like images on their front porches, and the

boys and girls tramped and tramped the board sidewalks—northward to the

edge of the open prairie, south to the depot, then back again to the

post-office, the ice-cream parlour, the butcher shop. Now there was a

place where the girls could wear their new dresses, and where one could

laugh aloud without being reproved by the ensuing silence. That silence

seemed to ooze out of the ground, to hang under the foliage of the

black maple trees with the bats and shadows. Now it was broken by

lighthearted sounds. First the deep purring of Mr. Vanni’s harp came in

silvery ripples through the blackness of the dusty-smelling night; then

the violins fell in—one of them was almost like a flute. They called so

archly, so seductively, that our feet hurried toward the tent of

themselves. Why hadn’t we had a tent before?

Dancing became popular now, just as roller skating had been the summer

before. The Progressive Euchre Club arranged with the Vannis for the

exclusive use of the floor on Tuesday and Friday nights. At other times

anyone could dance who paid his money and was orderly; the railroad

men, the roundhouse mechanics, the delivery boys, the iceman, the

farm-hands who lived near enough to ride into town after their day’s

work was over.

I never missed a Saturday night dance. The tent was open until midnight

then. The country boys came in from farms eight and ten miles away, and

all the country girls were on the floor—Ántonia and Lena and Tiny, and

the Danish laundry girls and their friends. I was not the only boy who

found these dances gayer than the others. The young men who belonged to

the Progressive Euchre Club used to drop in late and risk a tiff with

their sweethearts and general condemnation for a waltz with ‘the hired

girls.’