บทที่ บทที่ 6 · AFTER THE WAR
. AFTER THE WAR
I
Hyogo, May 5, 1895.
Hyogo, this morning, lies bathed in a limpid magnificence of
light indescribable,--spring light, which is vapory, and lends a
sort of apparitional charm to far things seen through it. Forms
remain sharply outlined, but are almost idealized by faint colors
not belonging to them; and the great hills behind the town aspire
into a cloudless splendor of tint that seems the ghost of azure
rather than azure itself.
Over the blue-gray slope of tiled roofs there is a vast quivering
and fluttering of extraordinary shapes,--a spectacle not indeed
new to me, but always delicious. Everywhere are floating--tied to
very tall bamboo poles--immense brightly colored paper fish,
which look and move as if alive. The greater number vary from
five to fifteen feet in length; but here and there I see a baby
scarcely a foot long, hooked to the tail of a larger one. Some
poles have four or five fish attached to them at heights
proportioned to the dimensions of the fish, the largest always at
the top. So cunningly shaped and colored these things are that
the first sight of them is always startling to a stranger. The
lines holding them are fastened within the head; and the wind,
entering the open mouth, not only inflates the body to perfect
form, but keeps it undulating,--rising and descending, turning
and twisting, precisely like a real fish, while the tail plays
and the fins wave irreproachably. In the garden of my next-door
neighbor there are two very fine specimens. One has an orange
belly and a bluish-gray back; the other is all a silvery tint;
and both have big weird eyes. The rustling of their motion as
they swim against the sky is like the sound of wind in a
cane-field. A little farther off I see another very big fish,
with a little red boy clinging to its back. That red boy
represents Kintoki, strongest of all children ever born in Japan,
who, while still a baby, wrestled with bears and set traps for
goblin-birds.
Everybody knows that these paper carp, or koi, are hoisted only
during the period of the great birth festival of boys, in the
fifth month; that their presence above a house signifies the
birth of a son; and that they symbolize the hope of the parents
that their lad will be able to win his way through the world
against all obstacles,--even as the real koi, the great Japanese
carp, ascends swift rivers against the stream. In many parts of
southern and western Japan you rarely see these koi. You see,
instead, very long narrow flags of cotton cloth, called nobori,
which are fastened perpendicularly, like sails, with little spars
and rings to poles of bamboo, and bear designs in various colors
of the koi in an eddy,--or of Shoki, conqueror of demons,--or of
pines,--or of tortoises,--or other fortunate symbols.
II
But in this radiant spring of the Japanese year 2555, the koi
might be taken to symbolize something larger than parental hope,
--the great trust of a nation regenerated through war. The
military revival of the Empire--the real birthday of New
Japan--began with the conquest of China. The war is ended; the
future, though clouded, seems big with promise; and, however grim
the obstacles to loftier and more enduring achievements, Japan
has neither fears nor doubts.
Perhaps the future danger is just in this immense self-confidence.
It is not a new feeling created by victory. It is a race feeling,
which repeated triumphs have served only to strengthen. From the
instant of the declaration of war there was never the least doubt of
ultimate victory. There was universal and profound enthusiasm, but
no outward signs of emotional excitement. Men at once set to writing
histories of the triumphs of Japan, and these histories--issued to
subscribers in weekly or monthly parts, and illustrated with
photo-lithographs or drawings on wood--were selling all over the country
long before any foreign observers could have ventured to predict the
final results of the campaign. From first to last the nation felt
sure of its own strength, and of the impotence of China. The
toy-makers put suddenly into the market legions of ingenious mechanisms,
representing Chinese soldiers in flight, or being cut down by
Japanese troopers, or tied together as prisoners by their queues, or
kowtowing for mercy to illustrious generals. The old-fashioned
military playthings, representing samurai in armor, were superseded
by figures--in clay, wood, paper, or silk--of Japanese cavalry,
infantry, and artillery; by models of forts and batteries; and
models of men-of-war. The storming of the defenses of Port Arthur by
the Kumamoto Brigade was the subject of one ingenious mechanical
toy; another, equally clever, repeated the fight of the Matsushima
Kan with the Chinese iron-clads. There were sold likewise myriads of
toy-guns discharging corks by compressed air with a loud pop, and
myriads of toy-swords, and countless tiny bugles, the constant
blowing of which recalled to me the tin-horn tumult of a certain New
Year's Eve in New Orleans. The announcement of each victory resulted
in an enormous manufacture and sale of colored prints, rudely and
cheaply executed, and mostly depicting the fancy of the artist
only,--but well fitted to stimulate the popular love of glory. Wonderful
sets of chessmen also appeared, each piece representing a Chinese or
Japanese officer or soldier.
Meanwhile, the theatres were celebrating the war after a much
more complete fashion. It is no exaggeration to say that almost
every episode of the campaign was repeated upon the stage. Actors
even visited the battlefields to study scenes and backgrounds,
and fit themselves to portray realistically, with the aid of
artificial snowstorms, the hardships of the army in Manchuria.
Every gallant deed was dramatized almost as soon as reported. The
death of the bugler Shirakami Genjiro(1); the triumphant courage
of Harada Jiukichi, who scaled a rampart and opened a fortress
gate to his comrades; the heroism of the fourteen troopers who
held their own against three hundred infantry; the successful
charge of unarmed coolies upon a Chinese battalion,--all these
and many other incidents were reproduced in a thousand theatres.
Immense illuminations of paper lanterns, lettered with phrases of
loyalty or patriotic cheer, celebrated the success of the
imperial arms, or gladdened the eyes of soldiers going by train
to the field. In Kobe,--constantly traversed by troop-trains,--such
illuminations continued night after night for weeks
together; and the residents of each street further subscribed for
flags and triumphal arches.
But the glories of the war were celebrated also in ways more
durable by the various great industries of the country. Victories
and incidents of sacrificial heroism were commemorated in
porcelain, in metal-work, and in costly textures, not less than
in new designs for envelopes and note-paper. They were portrayed
on the silk linings of haori(2), on women's kerchiefs of
chirimen(3), in the embroidery of girdles, in the designs of silk
shirts and of children's holiday robes,--not to speak of cheaper
printed goods, such as calicoes and toweling. They were
represented in lacquer-ware of many kinds, on the sides and
covers of carven boxes, on tobacco-pouches, on sleeve-buttons, in
designs for hairpins, on women's combs, even on chopsticks.
Bundles of toothpicks in tiny cases were offered for sale, each
toothpick having engraved upon it, in microscopic text, a
different poem about the war. And up to the time of peace, or at
least up to the time of the insane attempt by a soshi(4) to kill
the Chinese plenipotentiary during negotiations, all things
happened as the people had wished and expected.
But as soon as the terms of peace had been announced, Russia
interfered, securing the help of France and Germany to bully
Japan. The combination met with no opposition; the government
played jiujutsu, and foiled expectations by unlooked-for
yielding. Japan had long ceased to feel uneasy about her own
military power. Her reserve strength is probably much greater
than has ever been acknowledged, and her educational system, with
its twenty-six thousand schools, is an enormous drilling-machine.
On her own soil she could face any foreign power. Her
navy was her weak point, and of this she was fully aware. It was
a splendid fleet of small, light cruisers, and splendidly
handled. Its admiral, without the loss of a single vessel, had
annihilated the Chinese fleet in two engagements, but it was not
yet sufficiently heavy to face the combined navies of three
European powers; and the flower of the Japanese army was beyond
the sea. The most opportune moment for interference had been
cunningly chosen, and probably more than interference was
intended. The heavy Russian battle-ships were stripped for
fighting; and these alone could possibly have overpowered the
Japanese fleet, though the victory would have been a costly one.
But Russian action was suddenly checked by the sinister
declaration of English sympathy for Japan. Within a few weeks
England could bring into Asiatic waters a fleet capable of
crushing, in one short battle, all the iron-clads assembled by
the combination. And a single shot from a Russian cruiser might
have plunged the whole world into war.
But in the Japanese navy there was a furious desire to battle
with the three hostile powers at once. It would have been a great
fight, for no Japanese commander would have dreamed of yielding,
no Japanese ship would have struck her colors. The army was
equally desirous of war. It needed all the firmness of the
government to hold the nation back. Free speech was gagged; the
press was severely silenced; and by the return to China of the
Liao-Tung peninsula, in exchange for a compensatory increase of
the war indemnity previously exacted, peace was secured. The
government really acted with faultless wisdom. At this period of
Japanese development a costly war with Russia could not fail to
have consequences the most disastrous to industry, commerce, and
finance. But the national pride has been deeply wounded, and the
country can still scarcely forgive its rulers.
(1) At the battle of Song-Hwan, a Japanese bugler named
Shirakami Genjiro was ordered to sound the charge (suzume). He
had sounded it once when a bullet passed through his lungs,
throwing him down.. His comrades tried to take the bugle away,
seeing the wound was fatal. He wrested it from them, lifted it
again to his lips, sounded the charge once more with all his
strength, and fell back dead. I venture to offer this rough
translation of a song now sung about him by every soldier and
schoolboy in Japan:--
SHIRAKAMI GENJIRO
(After the Japanese military ballad, Rappa-no-hibiki.)
Easy in other times than this
Were Anjo's stream to cross;
But now, beneath the storm of shot,
Its waters seethe and toss.
In other time to pass that stream
Were sport for boys at play;
But every man through blood must wade
Who fords Anjo to-day.
The bugle sounds;--through flood and flame
Charges the line of steel;--
Above the crash of battle rings
The bugle's stern appeal.
Why has that bugle ceased to call?
Why does it call once more?
Why sounds the stirring signal now
More faintly than before?
What time the bugle ceased to sound,
The breast was smitten through;--
What time the blast rang faintly, blood
Gushed from the lips that blew.
Death-stricken, still the bugler stands!
He leans upon his gun,--
Once more to sound the bugle-call
Before his life be done.
What though the shattered body fall?
The spirit rushes free
Through Heaven and Earth to sound anew
That call to Victory!
Far, far beyond our shore, the spot
Now honored by his fall;--
But forty million brethren
Have heard that bugle-call.
Comrade!--beyond the peaks and seas
Your bugle sounds to-day
In forty million loyal hearts
A thousand miles away!
(2) Haori, a sort of upper dress, worn by men as well as women.
The linings are often of designs beautiful beyond praise.
(3) Chirimen is crape-silk, of which there are many qualities;
some very costly and durable.
(4) Soshi form one of the modern curses of Japan. They are mostly
ex-students who earn a living by hiring themselves out as rowdy
terrorists. Politicians employ them either against the soshi of
opponents, or as bullies in election time. Private persons
sometimes employ them as defenders. They have figured in most of
the election rows which have taken place of late years in Japan,
also in a number of assaults made on distinguished personages.
The causes which produced nihilism in Russia have several points
of resemblance with the causes which developed the modern soshi
class in Japan.
III
Hyogo, May 15.
The Matsushima Kan, returned from China, is anchored before the
Garden of the Pleasure of Peace. She is not a colossus, though
she has done grand things; but she certainly looks quite
formidable as she lies there in the clear light,--a stone-gray
fortress of steel rising out of the smooth blue. Permission to
visit her has been given to the delighted people, who don their
best for the occasion, as for a temple festival, and I am
suffered to accompany some of them. All the boats in the port
would seem to have been hired for the visitors, so huge is the
shoal hovering about the ironclad as we arrive. It is not
possible for such a number of sightseers to go on board at once,
and we have to wait while hundreds are being alternately admitted
and dismissed. But the waiting in the cool sea air is not
unpleasant; and the spectacle of the popular joy is worth
watching. What eager rushing when the turn comes! what swarming
and squeezing and clinging! Two women fall into the sea, and are
pulled out by blue-jackets, and say they are not sorry to have
fallen in, because they can now boast of owing their lives to the
men of the Matsushima Kan! As a matter of fact, they could not
very well have been drowned; there were legions of common boatmen
to look after them.
But something of larger importance to the nation than the lives
of two young women is really owing to the men of the Matsushima
Kan; and the people are rightly trying to pay them back with
love,--for presents, such as thousands would like to make, are
prohibited by disciplinary rule. Officers and crew must be weary;
but the crowding and the questioning are borne with charming
amiability. Everything is shown and explained in detail:
the huge thirty-centimetre gun, with its loading apparatus and
directing machinery; the quick-firing batteries; the torpedoes,
with their impulse-tubes; the electric lantern, with its
searching mechanism. I myself, though a foreigner, and therefore
requiring a special permit, am guided all about, both below and
above, and am even suffered to take a peep at the portraits of
their Imperial Majesties, in the admiral's cabin; and I am told
the stirring story of the great fight off the Yalu. Meanwhile,
the old bald men and the women and the babies of the port hold
for one golden day command of the Matsushima. Officers, cadets,
blue-jackets, spare no effort to please. Some talk to the
grandfathers; others let the children play with the hilts of
their swords, or teach them how to throw up their little hands
and shout "_Teikoku Banzai!_" And for tired mothers, matting has
been spread, where they can squat down in the shade between
decks.
Those decks, only a few months ago, were covered with the blood
of brave men. Here and there dark stains, which still resist
holy-stoning, are visible; and the people look at them with
tender reverence. The flagship was twice struck by enormous
shells, and her vulnerable parts were pierced by a storm of small
projectiles. She bore the brunt of the engagement, losing nearly
half her crew. Her tonnage is only four thousand two hundred and
eighty; and her immediate antagonists were two Chinese ironclads
of seven thousand four hundred tons each. Outside, her cuirass
shows no deep scars, for the shattered plates have been
replaced;--but my guide points proudly to the numerous patchings
of the decks, the steel masting supporting the fighting-tops, the
smoke-stack,--and to certain terrible dents, with small cracks
radiating from them, in the foot-thick steel of the barbette. He
traces for us, below, the course of the thirty-and-a-half
centimetre shell that pierced the ship. "When it came," he tells
us, "the shock threw men into the air that high" (holding his
hand some two feet above the deck). "At the same moment all
became dark; you could not see your hand. Then we found that one
of the starboard forward guns had been smashed, and the crew all
killed. We had forty men killed instantly, and many more wounded:
no man escaped in that part of the ship. The deck was on fire,
because a lot of ammunition brought up for the guns had exploded;
so we had to fight and to work to put out the fire at the same
time. Even badly wounded men, with the skin blown from their
hands and faces, worked as if they felt no pain; and dying men
helped to pass water. But we silenced the Ting-yuen with one more
shot from our big gun. The Chinese had European gunners helping
them. If we had not had to fight against Western gunners, _our
victory would have been too easy._"
He gives the true note. Nothing, on this splendid spring day,
could so delight the men of the Matsushima Kan as a command to
clear for action, and attack the great belted Russian cruisers
lying off the coast.
IV
Kobe, June 9.
Last year, while traveling from Shimonoseki to the capital, I saw
many regiments on their way to the seat of war, all uniformed in
white, for the hot season was not yet over. Those soldiers looked
so much like students whom I had taught (thousands, indeed, were
really fresh from school) that I could not help feeling it was
cruel to send such youths to battle. The boyish faces were so
frank, so cheerful, so seemingly innocent of the greater sorrows
of life! "Don't fear for them," said an English fellow-traveler,
a man who had passed his life in camps; "they will give a
splendid account of themselves."
"I know it," was my answer; "but I am thinking of fever and frost and
Manchurian winter: these are more to be feared than Chinese rifles(1)."
The calling of the bugles, gathering the men together after dark,
or signaling the hour of rest, had for years been one of the
pleasures of my summer evenings in a Japanese garrison town. But
during the months of war, those long, plaintive notes of the last
call touched me in another way. I do not know that the melody is
peculiar; but it was sometimes played, I used to think, with
peculiar feeling; and when uttered to the starlight by all the
bugles of a division at once, the multitudinously blending tones
had a melancholy sweetness never to be forgotten. And I would
dream of phantom buglers, summoning the youth and strength of
hosts to the shadowy silence of perpetual rest.
Well, to-day I went to see some of the regiments return. Arches
of greenery had been erected over the street they were to pass
through, leading from Kobe station to Nanko-San,--the great
temple dedicated to the hero spirit of Kusunoki Masashige. The
citizens had subscribed six thousand yen for the honor of serving
the soldiers with the first meal after their return; and many
battalions had already received such kindly welcome. The sheds
under which they ate in the court of the temple had been
decorated with flags and festoons; and there were gifts for all
the troops,--sweetmeats, and packages of cigarettes, and little
towels printed with poems in praise of valor. Before the gate of
the temple a really handsome triumphal arch had been erected,
bearing on each of its facades a phrase of welcome in Chinese
text of gold, and on its summit a terrestrial globe surmounted by
a hawk with outspread pinions(2).
I waited first, with Manyemon, before the station, which is very
near the temple. The train arrived; a military sentry ordered all
spectators to quit the platform, and outside, in the street,
police kept back the crowd, and stopped all traffic. After a few
minutes, the battalions came, marching in regular column through
the brick archway,--headed by a gray officer, who limped slightly
as he walked, smoking a cigarette. The crowd thickened about us,
but there was no cheering, not even speaking,--a hush broken only
by the measured tramp of the passing troops. I could scarcely
believe those were the same men I had seen going to the war; only
the numbers on the shoulder-straps assured me of the fact.
Sunburnt and grim the faces were; many had heavy beards. The dark
blue winter uniforms were frayed and torn, the shoes worn into
shapelessness; but the strong, swinging stride was the stride of
the hardened soldier. Lads no longer these, but toughened men,
able to face any troops in the world; men who had slaughtered and
stormed; men who had also suffered many things which never will
be written. The features showed neither joy nor pride; the
quick-searching eyes hardly glanced at the welcoming flags, the
decorations, the arch with its globe-shadowing hawk of battle,
--perhaps because those eyes had seen too often the things which
make men serious. (Only one man smiled as he passed; and I
thought of a smile seen on the face of a Zouave when I was a boy,
watching the return of a regiment from Africa,--a mocking smile,
that stabbed.) Many of the spectators were visibly affected,
feeling the reason of the change. But, for that, the soldiers
were better soldiers now; and they were going to find welcome,
and comforts, and gifts, and the great warm love of the
people,--and repose thereafter, in their old familiar camps.
I said to Manyemon: "This evening they will be in Osaka and
Nagoya. They will hear the bugles calling; and they will think of
comrades who never can return."
The old man answered, with simple earnestness: "Perhaps by
Western people it is thought that the dead never return. But we
cannot so think. There are no Japanese dead who do not return.
There are none who do not know the way. From China and from
Chosen, and out of the bitter sea, all our dead have come
back,--all! They are with us now. In every dusk they gather to
hear the bugles that called them home. And they will hear them
also in that day when the armies of the Son of Heaven shall be
summoned against Russia."
(1) The total number of Japanese actually killed in battle, from
the fight at A-san to the capture of the Pescadores, was only
739. But the deaths resulting from other causes, up to as late a
date as the 8th of June, during the occupation of Formosa, were
3,148. Of these, 1,602 were due to cholera alone. Such, at least,
were the official figures as published in the Kobe Chronicle.
(2) At the close of the great naval engagement of the 17th of
September, 1894, a hawk alighted on the fighting-mast of the
Japanese cruiser Takachiho, and suffered itself to be taken and
fed. After much petting, this bird of good omen was presented to
the Emperor. Falconry was a great feudal sport in Japan, and
hawks were finely trained. The hawk is now likely to become, more
than ever before in Japan, a symbol of victory.
VII.