บทที่ บทที่ 36 · Chapter XXXVI
. Chapter XXXVI
All the time the palace ceased not to thrum and tum-tum. The
revelation was over, but its effect lasted, and its effect was to
make men feel that the revelation had not yet come. Hope existed
despite fulfilment, as it will be in heaven. Although the God had
been born, His procession—loosely supposed by many to be the
birth—had not taken place. In normal years, the middle hours of
this day were signalized by performances of great beauty in the
private apartments of the Rajah. He owned a consecrated troupe of
men and boys, whose duty it was to dance various actions and
meditations of his faith before him. Seated at his ease, he could
witness the Three Steps by which the Saviour ascended the universe
to the discomfiture of Indra, also the death of the dragon, the
mountain that turned into an umbrella, and the saddhu who (with
comic results) invoked the God before dining. All culminated in
the dance of the milkmaidens before Krishna, and in the still
greater dance of Krishna before the milkmaidens, when the music
and the musicians swirled through the dark blue robes of the actors
into their tinsel crowns, and all became one. The Rajah and his
guests would then forget that this was a dramatic performance, and
would worship the actors. Nothing of the sort could occur to-day,
because death interrupts. It interrupted less here than in Europe,
its pathos was less poignant, its irony less cruel. There were two
claimants to the throne, unfortunately, who were in the palace now
and suspected what had happened, yet they made no trouble, because
religion is a living force to the Hindus, and can at certain
moments fling down everything that is petty and temporary in their
natures. The festival flowed on, wild and sincere, and all men
loved each other, and avoided by instinct whatever could cause
inconvenience or pain.
Aziz could not understand this, any more than an average Christian
could. He was puzzled that Mau should suddenly be purged from
suspicion and self-seeking. Although he was an outsider, and
excluded from their rites, they were always particularly charming
to him at this time; he and his household received small courtesies
and presents, just because he was outside. He had nothing to do
all day, except to send the embrocation over to the Guest House,
and towards sunset he remembered it, and looked round his house
for a local palliative, for the dispensary was shut. He found a
tin of ointment belonging to Mohammed Latif, who was unwilling it
should be removed, for magic words had been spoken over it while
it was being boiled down, but Aziz promised that he would bring it
back after application to the stings: he wanted an excuse for a
ride.
The procession was beginning to form as he passed the palace. A
large crowd watched the loading of the State palanquin, the prow
of which protruded in the form of a silver dragon’s head through
the lofty half-opened door. Gods, big and little, were getting
aboard. He averted his eyes, for he never knew how much he was
supposed to see, and nearly collided with the Minister of Education.
“Ah, you might make me late”—meaning that the touch of a non-Hindu
would necessitate another bath; the words were spoken without moral
heat. “Sorry,” said Aziz. The other smiled, and again mentioned
the Guest House party, and when he heard that Fielding’s wife was
not Miss Quested after all, remarked “Ah, no, he married the sister
of Mr. Heaslop. Ah, exactly, I have known that for over a year”—also
without heat. “Why did you not tell me? Your silence plunged me
into a pretty pickle.” Godbole, who had never been known to tell
anyone anything, smiled again, and said in deprecating tones:
“Never be angry with me. I am, as far as my limitations permit,
your true friend; besides, it is my holy festival.” Aziz always
felt like a baby in that strange presence, a baby who unexpectedly
receives a toy. He smiled also, and turned his horse into a lane,
for the crush increased. The Sweepers’ Band was arriving. Playing
on sieves and other emblems of their profession, they marched
straight at the gate of the palace with the air of a victorious
army. All other music was silent, for this was ritually the moment
of the Despised and Rejected; the God could not issue from his
temple until the unclean Sweepers played their tune, they were the
spot of filth without which the spirit cannot cohere. For an
instant the scene was magnificent. The doors were thrown open, and
the whole court was seen inside, barefoot and dressed in white
robes; in the fairway stood the Ark of the Lord, covered with cloth
of gold and flanked by peacock fans and by stiff circular banners
of crimson. It was full to the brim with statuettes and flowers.
As it rose from the earth on the shoulders of its bearers, the
friendly sun of the monsoons shone forth and flooded the world with
colour, so that the yellow tigers painted on the palace walls
seemed to spring, and pink and green skeins of cloud to link up
the upper sky. The palanquin moved. . . . The lane was full of
State elephants, who would follow it, their howdahs empty out of
humility. Aziz did not pay attention to these sanctities, for they
had no connection with his own; he felt bored, slightly cynical,
like his own dear Emperor Babur, who came down from the north and
found in Hindustan no good fruit, no fresh water or witty
conversation, not even a friend.
The lane led quickly out of the town on to high rocks and jungle.
Here he drew rein and examined the great Mau tank, which lay
exposed beneath him to its remotest curve. Reflecting the evening
clouds, it filled the nether-world with an equal splendour, so that
earth and sky leant toward one another, about to clash in ecstasy.
He spat, cynical again, more cynical than before. For in the centre
of the burnished circle a small black blot was advancing—the Guest
House boat. Those English had improvised something to take the
place of oars, and were proceeding in their work of patrolling
India. The sight endeared the Hindus by comparison, and looking
back at the milk-white hump of the palace, he hoped that they would
enjoy carrying their idol about, for at all events it did not pry
into other people’s lives. This pose of “seeing India” which had
seduced him to Miss Quested at Chandrapore was only a form of
ruling India; no sympathy lay behind it; he knew exactly what was
going on in the boat as the party gazed at the steps down which
the image would presently descend, and debated how near they might
row without getting into trouble officially.
He did not give up his ride, for there would be servants at the
Guest House whom he could question; a little information never
comes amiss. He took the path by the sombre promontory that
contained the royal tombs. Like the palace, they were of snowy
stucco, and gleamed by their internal light, but their radiance
grew ghostly under approaching night. The promontory was covered
with lofty trees, and the fruit-bats were unhooking from the boughs
and making kissing sounds as they grazed the surface of the tank;
hanging upside down all the day, they had grown thirsty. The signs
of the contented Indian evening multiplied; frogs on all sides,
cow-dung burning eternally; a flock of belated hornbills overhead,
looking like winged skeletons as they flapped across the gloaming.
There was death in the air, but not sadness; a compromise had been
made between destiny and desire, and even the heart of man
acquiesced.
The European Guest House stood two hundred feet above the water,
on the crest of a rocky and wooded spur that jutted from the
jungle. By the time Aziz arrived, the water had paled to a film of
mauve-grey, and the boat vanished entirely. A sentry slept in the
Guest House porch, lamps burned in the cruciform of the deserted
rooms. He went from one room to another, inquisitive, and malicious.
Two letters lying on the piano rewarded him, and he pounced and
read them promptly. He was not ashamed to do this. The sanctity of
private correspondence has never been ratified by the East.
Moreover, Mr. McBryde had read all his letters in the past, and
spread their contents. One letter—the more interesting of the
two—was from Heaslop to Fielding. It threw light on the mentality
of his former friend, and it hardened him further against him. Much
of it was about Ralph Moore, who appeared to be almost an imbecile.
“Hand on my brother whenever suits you. I write to you because he
is sure to make a bad bunderbust.” Then: “I quite agree—life is
too short to cherish grievances, also I’m relieved you feel able
to come into line with the Oppressors of India to some extent. We
need all the support we can get. I hope that next time Stella comes
my way she will bring you with her, when I will make you as
comfortable as a bachelor can—it’s certainly time we met. My
sister’s marriage to you coming after my mother’s death and my own
difficulties did upset me, and I was unreasonable. It is about time
we made it up properly, as you say—let us leave it at faults on
both sides. Glad about your son and heir. When next any of you
write to Adela, do give her some sort of message from me, for I
should like to make my peace with her too. You are lucky to be out
of British India at the present moment. Incident after incident,
all due to propaganda, but we can’t lay our hands on the connecting
thread. The longer one lives here, the more certain one gets that
everything hangs together. My personal opinion is, it’s the Jews.”
Thus far the red-nosed boy. Aziz was distracted for a moment by
blurred sounds coming from over the water; the procession was under
way. The second letter was from Miss Quested to Mrs. Fielding. It
contained one or two interesting touches. The writer hoped that
“Ralph will enjoy his India more than I did mine,” and appeared to
have given him money for this purpose—“my debt which I shall never
repay in person.” What debt did Miss Quested imagine she owed the
country? He did not relish the phrase. Talk of Ralph’s health. It
was all “Stella and Ralph,” even “Cyril” and “Ronny”—all so friendly
and sensible, and written in a spirit he could not command. He
envied the easy intercourse that is only possible in a nation whose
women are free. These five people were making up their little
difficulties, and closing their broken ranks against the alien.
Even Heaslop was coming in. Hence the strength of England, and in
a spurt of temper he hit the piano, and since the notes had swollen
and stuck together in groups of threes, he produced a remarkable
noise.
“Oh, oh, who is that?” said a nervous and respectful voice; he
could not remember where he had heard its tones before. Something
moved in the twilight of an adjoining room. He replied, “State
doctor, ridden over to enquire, very little English,” slipped the
letters into his pocket, and to show that he had free entry to the
Guest House, struck the piano again.
Ralph Moore came into the light.
What a strange-looking youth, tall, prematurely aged, the big blue
eyes faded with anxiety, the hair impoverished and tousled! Not a
type that is often exported imperially. The doctor in Aziz thought,
“Born of too old a mother,” the poet found him rather beautiful.
“I was unable to call earlier owing to pressure of work. How are
the celebrated bee-stings?” he asked patronizingly.
“I—I was resting, they thought I had better; they throb rather.”
His timidity and evident “newness” had complicated effects on the
malcontent. Speaking threateningly, he said, “Come here, please,
allow me to look.” They were practically alone, and he could treat
the patient as Callendar had treated Nureddin.
“You said this morning——”
“The best of doctors make mistakes. Come here, please, for the
diagnosis under the lamp. I am pressed for time.”
“Aough——”
“What is the matter, pray?”
“Your hands are unkind.”
He started and glanced down at them. The extraordinary youth was
right, and he put them behind his back before replying with outward
anger: “What the devil have my hands to do with you? This is a most
strange remark. I am a qualified doctor, who will not hurt you.”
“I don’t mind pain, there is no pain.”
“No pain?”
“Not really.”
“Excellent news,” sneered Aziz.
“But there is cruelty.”
“I have brought you some salve, but how to put it on in your
present nervous state becomes a problem,” he continued, after a
pause.
“Please leave it with me.”
“Certainly not. It returns to my dispensary at once.” He stretched
forward, and the other retreated to the farther side of a table.
“Now, do you want me to treat your stings, or do you prefer an
English doctor? There is one at Asirgarh. Asirgarh is forty miles
away, and the Ringnod dam broken. Now you see how you are placed.
I think I had better see Mr. Fielding about you; this is really
great nonsense, your present behaviour.”
“They are out in a boat,” he replied, glancing about him for
support.
Aziz feigned intense surprise. “They have not gone in the direction
of Mau, I hope. On a night like this the people become most
fanatical.” And, as if to confirm him, there was a sob, as though
the lips of a giant had parted; the procession was approaching the
Jail.
“You should not treat us like this,” he challenged, and this time
Aziz was checked, for the voice, though frightened, was not weak.
“Like what?”
“Dr. Aziz, we have done you no harm.”
“Aha, you know my name, I see. Yes, I am Aziz. No, of course your
great friend Miss Quested did me no harm at the Marabar.”
Drowning his last words, all the guns of the State went off. A
rocket from the Jail garden gave the signal. The prisoner had been
released, and was kissing the feet of the singers. Rose-leaves fall
from the houses, sacred spices and coco-nut are brought forth. . . .
It was the half-way moment; the God had extended His temple,
and paused exultantly. Mixed and confused in their passage, the
rumours of salvation entered the Guest House. They were startled
and moved on to the porch, drawn by the sudden illumination. The
bronze gun up on the fort kept flashing, the town was a blur of
light, in which the houses seemed dancing, and the palace waving
little wings. The water below, the hills and sky above, were not
involved as yet; there was still only a little light and song
struggling among the shapeless lumps of the universe. The song
became audible through much repetition; the choir was repeating
and inverting the names of deities.
“Radhakrishna Radhakrishna,
Radhakrishna Radhakrishna,
Krishnaradha Radhakrishna,
Radhakrishna Radhakrishna,”
they sang, and woke the sleeping sentry in the Guest House; he
leant upon his iron-tipped spear.
“I must go back now, good night,” said Aziz, and held out his hand,
completely forgetting that they were not friends, and focusing his
heart on something more distant than the caves, something beautiful.
His hand was taken, and then he remembered how detestable he had
been, and said gently, “Don’t you think me unkind any more?”
“No.”
“How can you tell, you strange fellow?”
“Not difficult, the one thing I always know.”
“Can you always tell whether a stranger is your friend?”
“Yes.”
“Then you are an Oriental.” He unclasped as he spoke, with a little
shudder. Those words—he had said them to Mrs. Moore in the mosque
in the beginning of the cycle, from which, after so much suffering,
he had got free. Never be friends with the English! Mosque, caves,
mosque, caves. And here he was starting again. He handed the magic
ointment to him. “Take this, think of me when you use it. I shall
never want it back. I must give you one little present, and it is
all I have got; you are Mrs. Moore’s son.”
“I am that,” he murmured to himself; and a part of Aziz’ mind that
had been hidden seemed to move and force its way to the top.
“But you are Heaslop’s brother also, and alas, the two nations
cannot be friends.”
“I know. Not yet.”
“Did your mother speak to you about me?”
“Yes.” And with a swerve of voice and body that Aziz did not follow
he added, “In her letters, in her letters. She loved you.”
“Yes, your mother was my best friend in all the world.” He was
silent, puzzled by his own great gratitude. What did this eternal
goodness of Mrs. Moore amount to? To nothing, if brought to the
test of thought. She had not borne witness in his favour, nor
visited him in the prison, yet she had stolen to the depths of his
heart, and he always adored her. “This is our monsoon, the best
weather,” he said, while the lights of the procession waved as
though embroidered on an agitated curtain. “How I wish she could
have seen them, our rains. Now is the time when all things are
happy, young and old. They are happy out there with their savage
noise, though we cannot follow them; the tanks are all full so they
dance, and this is India. I wish you were not with officials, then
I would show you my country, but I cannot. Perhaps I will just take
you out on the water now, for one short half-hour.”
Was the cycle beginning again? His heart was too full to draw back.
He must slip out in the darkness, and do this one act of homage to
Mrs. Moore’s son. He knew where the oars were—hidden to deter the
visitors from going out—and he brought the second pair, in case
they met the other boat; the Fieldings had pushed themselves out
with long poles, and might get into difficulties, for the wind was
rising.
Once on the water, he became easy. One kind action was with him
always a channel for another, and soon the torrent of his
hospitality gushed forth and he began doing the honours of Mau and
persuading himself that he understood the wild procession, which
increased in lights and sounds as the complications of its ritual
developed. There was little need to row, for the freshening gale
blew them in the direction they desired. Thorns scratched the keel,
they ran into an islet and startled some cranes. The strange
temporary life of the August flood-water bore them up and seemed
as though it would last for ever.
The boat was a rudderless dinghy. Huddled up in the stern, with
the spare pair of oars in his arms, the guest asked no questions
about details. There was presently a flash of lightning, followed
by a second flash—little red scratches on the ponderous sky. “Was
that the Rajah?” he asked.
“What—what do you mean?”
“Row back.”
“But there’s no Rajah—nothing——”
“Row back, you will see what I mean.”
Aziz found it hard work against the advancing wind. But he fixed
his eyes on the pin of light that marked the Guest House and backed
a few strokes.
“There . . .”
Floating in the darkness was a king, who sat under a canopy, in
shining royal robes. . . .
“I can’t tell you what that is, I’m sure,” he whispered. “His
Highness is dead. I think we should go back at once.”
They were close to the promontory of the tombs, and had looked
straight into the chhatri of the Rajah’s father through an opening
in the trees. That was the explanation. He had heard of the
image—made to imitate life at enormous expense—but he had never
chanced to see it before, though he frequently rowed on the lake.
There was only one spot from which it could be seen, and Ralph had
directed him to it. Hastily he pulled away, feeling that his
companion was not so much a visitor as a guide. He remarked, “Shall
we go back now?”
“There is still the procession.”
“I’d rather not go nearer—they have such strange customs, and might
hurt you.”
“A little nearer.”
Aziz obeyed. He knew with his heart that this was Mrs. Moore’s son,
and indeed until his heart was involved he knew nothing.
“Radhakrishna Radhakrishna Radhakrishna Radhakrishna Krishnaradha,”
went the chant, then suddenly changed, and in the interstice he
heard, almost certainly, the syllables of salvation that had
sounded during his trial at Chandrapore.
“Mr. Moore, don’t tell anyone that the Rajah is dead. It is a
secret still, I am supposed not to say. We pretend he is alive
until after the festival, to prevent unhappiness. Do you want to
go still nearer?”
“Yes.”
He tried to keep the boat out of the glare of the torches that
began to star the other shore. Rockets kept going off, also the
guns. Suddenly, closer than he had calculated, the palanquin of
Krishna appeared from behind a ruined wall, and descended the
carven glistening water-steps. On either side of it the singers
tumbled, a woman prominent, a wild and beautiful young saint with
flowers in her hair. She was praising God without attributes—thus
did she apprehend Him. Others praised Him without attributes,
seeing Him in this or that organ of the body or manifestation of
the sky. Down they rushed to the foreshore and stood in the small
waves, and a sacred meal was prepared, of which those who felt
worthy partook. Old Godbole detected the boat, which was drifting
in on the gale, and he waved his arms—whether in wrath or joy Aziz
never discovered. Above stood the secular power of Mau—elephants,
artillery, crowds—and high above them a wild tempest started,
confined at first to the upper regions of the air. Gusts of wind
mixed darkness and light, sheets of rain cut from the north,
stopped, cut from the south, began rising from below, and across
them struggled the singers, sounding every note but terror, and
preparing to throw God away, God Himself, (not that God can be
thrown) into the storm. Thus was He thrown year after year, and
were others thrown—little images of Ganpati, baskets of ten-day
corn, tiny tazias after Mohurram—scapegoats, husks, emblems of
passage; a passage not easy, not now, not here, not to be
apprehended except when it is unattainable; the God to be thrown
was an emblem of that.
The village of Gokul reappeared upon its tray. It was the substitute
for the silver image, which never left its haze of flowers; on
behalf of another symbol, it was to perish. A servitor took it in
his hands, and tore off the blue and white streamers. He was naked,
broad-shouldered, thin-waisted—the Indian body again triumphant—and
it was his hereditary office to close the gates of salvation. He
entered the dark waters, pushing the village before him, until the
clay dolls slipped off their chairs and began to gutter in the
rain, and King Kansa was confounded with the father and mother of
the Lord. Dark and solid, the little waves sipped, then a great
wave washed and then English voices cried “Take care!”
The boats had collided with each other.
The four outsiders flung out their arms and grappled, and, with
oars and poles sticking out, revolved like a mythical monster in
the whirlwind. The worshippers howled with wrath or joy, as they
drifted forward helplessly against the servitor. Who awaited them,
his beautiful dark face expressionless, and as the last morsels
melted on his tray, it struck them.
The shock was minute, but Stella, nearest to it, shrank into her
husband’s arms, then reached forward, then flung herself against
Aziz, and her motions capsized them. They plunged into the warm,
shallow water, and rose struggling into a tornado of noise. The
oars, the sacred tray, the letters of Ronny and Adela, broke loose
and floated confusedly. Artillery was fired, drums beaten, the
elephants trumpeted, and drowning all an immense peal of thunder,
unaccompanied by lightning, cracked like a mallet on the dome.
That was the climax, as far as India admits of one. The rain
settled in steadily to its job of wetting everybody and everything
through, and soon spoiled the cloth of gold on the palanquin and
the costly disc-shaped banners. Some of the torches went out,
fireworks didn’t catch, there began to be less singing, and the
tray returned to Professor Godbole, who picked up a fragment of
the mud adhering and smeared it on his forehead without much
ceremony. Whatever had happened had happened, and while the
intruders picked themselves up, the crowds of Hindus began a
desultory move back into the town. The image went back too, and on
the following day underwent a private death of its own, when some
curtains of magenta and green were lowered in front of the dynastic
shrine. The singing went on even longer . . . ragged edges of
religion . . . unsatisfactory and undramatic tangles. . . . “God
is love.” Looking back at the great blur of the last twenty-four
hours, no man could say where was the emotional centre of it, any
more than he could locate the heart of a cloud.